Give Luigi a pardon and put him on the cover of Tiger Beat!
This whole interview will be released on Christmas Day, but wanted to share a piece with you guys now. Mark Farner gets it... at least in my eyes.
Seriously, one of the top 5 interviews I've ever done.
FULL EPISODE:
Revisit the timeless appeal of Huey Lewis and the News' classic "Sports."
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On this episode of Aftershocks TV's VINTAGE STANDARD, Matt, Chris, and Tom dive deep into Sammy Hagar's 1984 album VOA, exploring how it marked a pivotal moment in Hagar's career and solidified his place as a major figure in rock music.
They discuss the album's creation, its standout tracks, and the impact it had not only on Hagar's solo career but also on his eventual role as the frontman of Van Halen. VOA showcased Sammy’s powerful voice and hard rock sensibilities, setting the stage for his transition into Van Halen's vocalist just a few years later. The album includes iconic songs like "I Can't Drive 55," a rebellious anthem that became a hallmark of Hagar's career.
The hosts break down the themes of the album, the production choices, and how VOA helped to define the sound of '80s rock. They also delve into the critical reception of the album, the cultural moment it captured, ...
Neeley & Chris on TV, Streaming, & New Podcast!
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Neeley & Chris on TV, Streaming, & New Podcast!
Andrew Freeman's feud, Bulletboys changes, Sophie remaster!
Tom George tribute, tour cancel, Megadeth & Savatage reunion!
GNR tour, old reunion denials, Steeler, rock stars' wealth!
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The 40th anniversary of ACCEPT's "Balls To The Wall" is being tarnished by a project that feels like nothing more than a cynical cash grab. Udo Dirkschneider, the band's former frontman, has decided to re-record this iconic album, but what should have been a respectful tribute has instead turned into a gaudy cash-in. The original album, a cornerstone of heavy metal history, doesn't need to be "reloaded" with new voices; it stands perfectly well on its own.
This "Balls To The Wall - Reloaded" reeks of desperation, exploiting the nostalgia of fans with a list of guest artists that seems more about name-dropping than adding any real value to the music. Sure, collaborating with Joakim Brodén, Biff Byford, and others might sound appealing on paper, but in reality, it just feels like a gimmick. These tracks don't need reimagining; they are classics for a reason. Dirkschneider's claim of making the songs "shine in a new light without losing their initial essence" rings hollow when the essence was ...
