For years, metal fans have argued about one of thrash metal's most divisive questions: Was the John Bush era actually Anthrax at its best? Whether you agree or not, one thing is becoming impossible to ignore—the demand for Bush-era Anthrax material is real, and John Bush appears ready to give fans even more of it.

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After successfully performing shows celebrating his 1993-2003 Anthrax years, Bush says he'd like to take the concept overseas, telling interviewers that Europe is absolutely on his radar. For fans who have spent decades defending albums like Sound Of White Noise and We've Come For You All, that's welcome news.

Here's the reality:

The John Bush era has aged far better than many critics wanted to admit.

Back in the '90s, Anthrax took a hard turn from the band's classic sound. Some fans rejected it immediately. Others embraced the heavier, darker, more modern direction Bush helped bring to the table. Thirty years later, those records have developed a passionate following that refuses to go away.

What's especially interesting is that Bush isn't treating these shows like a nostalgia cash grab. He's openly talking about digging beyond just the obvious hits and potentially pulling out deeper cuts that longtime fans have been begging to hear for years. At the same time, he understands there's a balance between fan-service and delivering songs that connect with an entire audience.

And let's be honest:

The fact that people are still passionately arguing about the Bush era in 2026 says everything.

Most bands would kill to have multiple eras that inspire this level of loyalty.

Meanwhile, Category 7 Isn't Slowing Down

As if the Anthrax celebration shows weren't enough, Bush also confirmed that work is underway toward a second Category 7 album. The band's self-titled debut generated strong interest among traditional metal fans, and a follow-up could further establish the project as more than just a side venture.

That creates an interesting situation.

Bush is simultaneously celebrating one of the most debated periods in Anthrax history while building something entirely new. Few veteran singers are managing both as effectively.

The Bigger Story Nobody Wants To Admit

For years, discussions about Anthrax have largely centered around the Joey Belladonna years versus everything else.

But fan demand keeps telling a different story.

The Bush-era catalog isn't being rediscovered because of nostalgia alone. Fans genuinely connect with those records, and every successful celebration show adds more fuel to that argument. The old "underrated" label may no longer apply when thousands of fans continue showing up specifically to hear that material.

What Happens Next?

If European dates become reality, expect the debate to get even louder.

Every sold-out room, every festival appearance, and every enthusiastic crowd reaction becomes another piece of evidence that the John Bush chapter of Anthrax history remains far more influential than some critics ever expected.

And judging by the reaction these shows continue to generate, this conversation isn't ending anytime soon.

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POLL

Which Anthrax era deserves the most respect in 2026?

A) The John Bush era was the band's peak and finally getting its due.

B) Joey Belladonna IS Anthrax, and always will be.

C) The fanbase should stop choosing sides and recognize both eras as essential.

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For years, Joe Holmes has been one of metal's most overlooked stories. While fans endlessly debate Randy Rhoads, Jake E. Lee, and Zakk Wylde, Holmes often gets treated like a footnote in Ozzy Osbourne history. That's a mistake. His newly released self-titled solo album is a reminder that some of the best players in the genre never got the spotlight they deserved.

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Here's the reality: most former sidemen disappear once the big gig ends. Holmes didn't.

Instead, he quietly assembled a lineup that should immediately get metal fans paying attention. The album reunites him with former Ozzy bandmates, including Metallica bassist Robert Trujillo and Faith No More drummer Mike Bordin, alongside vocalist Robert Locke and longtime collaborator Brent Hoffort.

And that's exactly why this release matters.

This isn't another nostalgia cash grab. This isn't a recycled collection of demos. This is a guitarist with decades of experience finally putting his own identity front and center.

Holmes recently explained that every stage of his career—from studying under Randy Rhoads to playing alongside David Lee Roth and Ozzy Osbourne—helped shape this record. That influence is all over the album.

The Biggest Question: Why Was Holmes Never Given More Credit?

That's the debate fans should be having.

During his years with Ozzy, Holmes wasn't simply filling a spot. He eventually co-wrote songs that appeared on Ozzy's Down To Earth album and spent years touring with one of the biggest names in heavy metal.

Yet when discussions about Ozzy's greatest guitarists happen, Holmes rarely gets mentioned.

Why?

Because he followed legends.

Because he wasn't flashy.

Because he never chased celebrity.

And in today's music business, those things often matter more than talent.

The Emotional Connection To Ozzy

One of the most striking aspects of this release is Holmes' acknowledgment of Ozzy's impact on his life.

According to Holmes, he thought frequently about Ozzy while creating the album and ultimately dedicated the record to Ozzy's memory, saying he wished he had another opportunity to speak with him.

That adds a level of emotional weight that goes beyond another new album announcement.

This isn't just a comeback record.

It's a tribute from a musician whose career was forever shaped by one of metal's most influential figures.

The Timing Couldn't Be Better

Metal has become obsessed with celebrating legacy artists, reunion tours, and anniversary releases.

Yet sometimes the most interesting stories come from the musicians who were standing right there during those legendary eras but never became household names.

Joe Holmes fits that description perfectly.

And with Trujillo and Bordin once again involved, this album feels less like a solo project and more like a long-overdue statement from a musician who deserves far more recognition than he's received.

What Happens Next?

The real test starts now.

Will metal fans finally give Holmes the credit he's earned?

Or will he remain one of the most overlooked guitarists ever connected to Ozzy's legacy?

Drop your thoughts in the comments because this debate is long overdue.

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POLL

Was Joe Holmes unfairly overlooked in Ozzy Osbourne's guitar legacy?

A) Absolutely — he's one of Ozzy's most underrated players

B) No — Randy, Jake, and Zakk were simply on another level

C) Holmes deserves more credit than all of them for pure musicianship

Metal fans love to talk about technical ability, musicianship, and artistic courage. That's why this latest move from George Lynch deserves a lot more attention than it's getting. While many guitar heroes spend decades repeating the same formulas, Lynch just stepped completely outside his comfort zone by appearing on an upcoming tribute album dedicated to Air Supply—and according to him, it was one of the toughest recording experiences he's ever had.

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Here's the reality: this story is going to divide fans.

There will be people who hear "Air Supply tribute" and immediately roll their eyes. Others will recognize what Lynch appears to be recognizing—that great songwriting is great songwriting, regardless of genre.

According to Lynch, adapting his style to fit the material wasn't easy. In fact, he described it as one of the hardest tribute projects he's ever tackled. That's a remarkable statement coming from a guitarist whose career has been built on navigating complex hard rock and metal arrangements.

And that's where this gets interesting.

The easy move would have been to phone it in, throw a few flashy solos over familiar soft-rock melodies, and collect the paycheck. Instead, Lynch's comments suggest he approached the material with genuine respect and found himself challenged by songs that many rock fans have spent decades dismissing.

The Bigger Story Nobody Is Talking About

Some of the greatest musicians in rock history have openly admitted that writing memorable melodies is often harder than writing complicated riffs.

That's why bands outside the metal world frequently earn respect from elite players. The songs have nowhere to hide. No walls of distortion. No speed for the sake of speed. Just melody, arrangement, and execution.

Air Supply built a career around songs that connected with millions of listeners worldwide and sold over 100 million records. Their catalog includes massive hits like "All Out of Love," "Lost in Love," and "Making Love Out of Nothing at All."

So maybe Lynch's involvement shouldn't be shocking at all.

Fans Need To Stop Thinking In Boxes

One of the biggest mistakes rock fans make is assuming that heavy music and melodic music exist on opposite ends of the spectrum.

They don't.

The best metal bands understand dynamics, hooks, emotion, and songwriting. That's exactly why projects like this often expose who truly appreciates musicianship and who only cares about image.

What do you think?

Does this make George Lynch look like a fearless musician willing to take risks, or does it feel like another strange crossover that metal fans never asked for?

Drop your thoughts in the comments because this one is guaranteed to split the audience.

What Happens Next?

If the finished track lives up to Lynch's comments, don't be surprised if this becomes one of the most talked-about tribute projects among musicians—even if casual fans overlook it.

Because sometimes the most interesting stories in rock aren't about who played the heaviest riff.

Sometimes they're about who was brave enough to play something completely different.

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POLL

Does George Lynch appearing on an Air Supply tribute album make him look:

• 🔥 Like a true musician who follows great songs anywhere
• 🤘 Like a rocker proving metal fans are too narrow-minded
• ❌ Like a legend taking a completely unnecessary detour