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CMS | Pumpkin Bombs, Turd Candy and Load-Ins

On this episode, Neeley and Chris talk about a story where a woman was assaulted by a man that threw a pumpkin at her. They then talk about ex-Enuff Z'nuff vocalist Donnie Vie saying that the current Enuff Z'nuff is like biting into a turd in a Snickers' wrapper. Finally, they read an open letter from Stevie Rachelle to Queensryche vocalist Todd LaTorre who seemingly insults road crews with his smug attitude on social media.

Get all our episodes at www.theclassicmetalshow.com.

NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

https://rumble.com/voey9z-cms-pumpkin-bombs-turd-candy-and-load-ins.html

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75-Year-Old Grandma Picks The Wrong Shift Leader At Tim Hortons (VIP)

Neeley and Chris dive into the bizarre legal fallout of a Tennessee school board member facing criminal assault charges after a context-dependent comment to a student. Was it a predatory move, or did an algorithmic outrage mob just destroy a 20-year career over a colloquial phrase? Immediately following that, the hosts react to the shocking viral footage of an elderly woman engaging in a physical brawl with a Tim Hortons shift leader. We break down the footage, look at who threw the first punch, and ask the uncomfortable question: Has public decorum officially collapsed?

00:58:56
Why Nazareth’s Pete Agnew Thinks the Internet is KILLING Rock and Roll

You’re listening to last week’s news—our VIPs already finished this episode commercial-free seven days ago. Stop waiting in line and get instant access to every show, advance interviews, and exclusive bonus content for just $4.99 at https://classicmetalshow.locals.com.

Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.

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ON THIS EPISODE:

02:15 - The Titans...

00:26:16
Why is Don Jamieson the Last National Act to Play This Iconic Club?

Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.

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Featured On This Episode:

Special Guest Don Jamieson: The comedy vet discusses being the final national headliner at the Funny Stop.

The Death of Local Comedy: Don Jamieson breaks down the reality of closing iconic rooms.

The "Gateway Band" Theory: Don and the guys debate how to indoctrinate friends into ...

01:04:08
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
More and More…

… the bands from our era have their music on BandCamp.

https://dokkenofficial.bandcamp.com/album/heaven-comes-down

Metal fans don’t just listen… they COMMIT.

They buy albums.

They go to shows.

They follow bands for DECADES.

No trend-hopping.

No fake hype.

Just loyalty.

That’s why metal never dies.

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NEW ANTHRAX!

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Hair Metal Didn’t Die – It Got Sold Out: Bret’s Delayed Dirt, KISS M&M’s, and Mike Tramp’s Denmark Gas Station Tour (2009)
 
The 80s hairband scene didn’t die because the music got bad; it died because it became a soulless corporate product, and the “news” we see today is just a continuation of that fraud. We took a deep dive into the latest “updates” from the hair metal world, and it’s a total bloodbath of substance vs. filler.

From Bret Michaels pushing back his autobiography—likely to squeeze in more “nutty stories” from reality TV—to KISS turning Walmart into a “KISS Corner” filled with M&Ms and Potato Heads, the legacy of this genre is being sold off piece by piece to the highest bidder. It’s a joke. We even see the remnants of White Lion being rebranded as “Mike Tramp’s White Lion” for a tour of Denmark—a country you can cross in half a day. Is this about the music? Never. It’s about the brand.

 
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Angry Anderson Refuses To Kill ROSE TATTOO Completely: “We’ll Just Put The Songs Out”
ROSE TATTOO’s “Final Year” Already Looks Like A Lie — Angry Anderson Says New Music Is Still Coming

For months, fans have been bracing for the end of Rose Tattoo. The legendary Australian street-rock institution announced 2026 would be its final year, and most people assumed that meant the machine was finally shutting down for good.

Apparently not.

Because now Angry Anderson is already walking fans right up to the edge of a massive loophole — and honestly, this sounds less like retirement and more like ROSE TATTOO evolving into a studio-only outlaw operation.

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In a new interview, Angry admitted the “end” of the band may not actually be the end at all. He revealed he’s still actively writing with guitarist Mick Arnold and openly discussed continuing to record and release new material after the farewell shows are over.

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Here’s the reality: this is exactly what veteran bands SHOULD be doing instead of dragging themselves through endless half-powered tours.

At 78 years old, Angry Anderson still sounds fired up creatively. That matters. A lot. Too many legacy acts become nostalgia jukeboxes running on fumes. ROSE TATTOO, on the other hand, seems determined to preserve the music without pretending the live machine can run forever.

And fans are probably going to split hard on this.

Some people believe a farewell means DONE. Finished. Buried. No more records. No more releases. No more “one last thing.”

Others will hear this and think: who cares what you call it if the songs are still killer?

And Angry basically answered that himself when he said if the material sounds like ROSE TATTOO songs, they’ll just record them and release them digitally anyway.

That’s not a retirement speech.

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That’s a warning shot.

What makes this story hit harder is the emotional weight behind it. Angry also talked about waking up on January 1, 2027 and realizing “the band will be gone,” comparing it to the loss and grief he’s experienced after multiple members of the band died from cancer over the years.

That changes the tone completely.

This isn’t some manufactured farewell tour cash-grab. It sounds like a guy trying to figure out how to keep the spirit alive without pretending time isn’t undefeated.

And honestly? There’s something more authentic about THAT than most reunion announcements in hard rock right now.

The wild part is that ROSE TATTOO still carries serious influence decades later. The band’s blues-soaked, street-level hard rock helped shape generations of loud, dangerous rock bands that came after them.

So if Angry Anderson wants to keep dropping new songs after the “end,” a lot of fans are going to welcome it with open arms.

Others will absolutely call foul.

Which means the debate is already starting.

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And that’s exactly why this story matters.

Before this thing completely explodes in comment sections, make sure you join the community at Classic Metal Show Locals for bonus episodes of THE CLASSIC METAL SHOW, early releases of CHRIS AKIN PRESENTS, giveaways, exclusives, and the full metal community experience.

POLL

If a band stops touring but keeps releasing music, is the band REALLY over?

  • Yes — a farewell should mean total shutdown
  • No — the music matters more than live shows
  • Most “final tours” are fake anyway so who cares
Read full Article
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MASTERPLAN Sound Completely Recharged On New Anthem “The Call”

Roland Grapow and company finally sound like a band having fun, playing loud, and swinging for the fences again.

There’s something seriously refreshing about hearing a veteran metal band sound this energized this deep into their career. MASTERPLAN could have easily coasted on nostalgia, recycled the same formulas, and quietly faded into the background of the power metal scene. Instead, “The Call” sounds like a band that actually still believes in what they’re doing — and honestly, that’s becoming rarer every year in modern metal.

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The new song from MASTERPLAN’s upcoming album “Metalmorphosis” hits with exactly the kind of upbeat energy longtime fans were hoping for. The guitars are huge, the chorus is built to stick in your head for days, and Roland Grapow once again proves why his songwriting instincts still matter in this genre. This isn’t some tired reunion act trying to relive old glory. This feels alive.

According to reports surrounding the release, the band has leaned harder into a more direct and energetic sound for “Metalmorphosis,” stripping away some of the overly polished tendencies and pushing the metal side of MASTERPLAN back to the front. (blabbermouth.net)

And honestly? That was exactly the right move.

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For years, one of the biggest criticisms surrounding modern melodic metal has been how safe and overly clinical it started to feel. Too many bands became obsessed with perfection and forgot the entire point of heavy music: energy, excitement, and connection. “The Call” avoids that trap completely. The song feels like movement. It feels like momentum. It feels like a band feeding off chemistry again.

That’s the part fans are going to latch onto immediately.

The video itself doubles down on that spirit too. Instead of overcomplicated storytelling or forced cinematic gimmicks, the focus stays where it belongs — the band, the performance, and the pure adrenaline behind the track. MASTERPLAN look confident, comfortable, and genuinely excited about where this album is heading.

And that matters more than people think.

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A lot of legacy metal bands spend more time trying to recreate the past than actually building a future. MASTERPLAN sound like they’ve finally stopped worrying about comparisons and started trusting their own identity again. That confidence is all over this release.

Midway through the track, you can practically hear the band locking into that classic European power metal groove that made so many fans fall in love with this style in the first place. Big riffs. Big hooks. Zero apology.

That’s what makes this release fun.

Here’s the reality: metal fans can smell forced excitement from a mile away. They know when a band is going through the motions. “The Call” doesn’t feel forced at all. It sounds like five musicians genuinely enjoying themselves — and after years of lineup shifts, delays, and long gaps between albums, that’s probably the biggest win MASTERPLAN could’ve delivered.

There’s also a bigger picture developing here.

2026 is shaping up to be packed with major hard rock and metal releases, which means bands don’t have the luxury of showing up with mediocre material anymore. If you want attention in this scene right now, you need songs that actually make fans care immediately. MASTERPLAN may have just done exactly that.

The buzz around “Metalmorphosis” is clearly building, and if the rest of the album carries this same level of energy, this could easily become one of the most satisfying melodic metal releases of the year.

And the best part? It sounds like the band knows it.

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Now the real question becomes whether MASTERPLAN can finally reclaim a bigger place in the modern power metal conversation — because songs like “The Call” make it very difficult to ignore them.

What happens next could be very interesting.

Get more uncensored rock and metal coverage, bonus episodes of THE CLASSIC METAL SHOW, early releases of CHRIS AKIN PRESENTS, giveaways, exclusives, and a killer community at https://classicmetalshow.locals.com

POLL

Is MASTERPLAN finally delivering the comeback power metal fans have wanted for years?

  • Yes — this sounds like the strongest MASTERPLAN momentum in forever
  • Maybe — but they still need a full album to prove it
  • No — the classic era can’t be touched no matter what they release now
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