https://blabbermouth.net/news/david-coverdale-on-tawny-kiteans-death-i-didnt-see-that-one-coming/
I read this and thought, "damn, that guy knows how to handle some press and interviews". Asked about the death of Tawny Kitaen, Coverdale handled this masterfully. He answered in a way that covers all the bases - doesn't insult the dead, her family, his current wife, and still acknowledges the importance
of Kitaen to his musical and personal legacy.
Pretty impressive if you ask me!!
Whitesnake just released the anniversary addition of RESTLESS HEART, which unless I'm mistaken, wasn't even released originally as a Whitesnake album but a Coverdale solo album. At least, that how I have it in my collection.
What do you think of how Coverdale handled this question about Tawny Kitaen's death?
On this highlight, Biohazard's Billy Graziadei talks about how, in the end, we are all the same, yet DIVIDED WE FALL.
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On this highlight, Biohazard guitarist Billy Graziadei talks about how the underground scene is more than just music; it's where a lot of people find belonging in life.
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The Classic Metal Show LIVE! 11/8/25
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Hold on, did Hollywood make the Predator sympathetic now? Neeley and Chris are diving headfirst into the new PREDATOR: BADLANDS movie! We'll tell you what we really think—the good, the bad, and the slightly "Disney-fied." Plus, we're talking about all the latest in music, from massive farewell tours to those juicy Grammy nomination surprises and snubs. It’s the unfiltered, raw take you can only get here.
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Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
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What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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In a dramatic turn of events that has stunned the extreme metal community, Portland-based death metal outfit Vitriol has effectively disintegrated mid-tour, with three members abruptly quitting and leaving vocalist/guitarist Kyle Rasmussen stranded at a gas station in Vermont.
Former guitarist Keith Merrow broke the news in a series of scathing social-media posts that were quickly captured and reported by Lambgoat. According to Merrow, he, drummer Andy Vincenzetti, bassist Brett Leier, and an additional member identified only as Matt walked away from the band after what he described as repeated “cowardly and weak outbursts of misplaced anger” from Rasmussen.
“HE FUCKED AROUND AND FOUND OUT. I’LL BE HOME FOR THANKSGIVING, BABY,” Merrow wrote. “SORRY VITRIOL FANS. WE HAD TO ABANDON HIM AT A GAS STATION IN VERMONT. MYSELF, ANDY, BRETT, AND MATT WILL NOT TAKE KYLE’S COWARDLY AND WEAK OUTBURSTS OF MISPLACED ANGER. WE GAVE EVERYTHING WE HAD, AND NOW HAVE LEFT YOU WITH NOTHING. MASS EXODUS. THIS...
Los Angeles, CA – Fresh off a triumphant 2025 world tour that took them across Europe, the Middle East, Asia, and Latin America, Guns N’ Roses have revealed plans for an even more ambitious 2026 run that will span four continents and include a historic homecoming.
The iconic rock band will kick off the new trek in late March with a appearance at Mexico’s Tecate Pa’l Norte festival, followed by an extensive swing through Brazil — their first shows in the country since 2016. From there, the group heads to Europe for a summer arena and festival headline run before crossing the Atlantic once again for a full North American stadium and amphitheater assault.
A highlight of the itinerary is a September 5, 2026, performance at Pasadena’s Rose Bowl — marking Guns N’ Roses’ first show at the legendary venue since July 1993, a gap of more than 33 years.
In addition to the tour news, the band confirmed they will release two long-awaited new studio tracks, “Nothin” and “Atlas,” via Geffen Records on Tuesday, December 2, 2025. While no further details about a full album were provided, the ...
Swedish melodic death metal band Arch Enemy announced earlier today, November 23, 2025, that they have parted ways with their longtime vocalist Alissa White-Gluz. The band expressed gratitude for the music and time shared with her and wished her the best moving forward. Their statement ended on a hopeful note, hinting at new beginnings in 2026.
Shortly after the announcement, White-Gluz responded with a message thanking the fans she affectionately calls “Beastlings” for their support during her 12 years with the band. She expressed excitement for the future and teased big news and surprises to come in 2026.
As a new chapter begins, White-Gluz released her first solo single titled “The Room Where She Died.” The track is part of her upcoming solo album and was co-written with Oliver Palotai of Kamelot. White-Gluz described the song as deeply satisfying, allowing her to express herself in ways she felt had been dormant for years. She also wrote the script for the music video ...
