The CMS Network VIPs
Politics • Music • Comedy
THIS IS WHERE YOU GET EVERYTHING FIRST — AND UNCENSORED

Exclusive CMS 3rd segment (not released publicly)

Full episodes 1 week early

Commercial-free shows

Chris Akin Presents interviews up to 6 weeks early

Direct interaction with Chris Akin (ONLY happens here)

If you’re not here… you’re behind.
Interested? Want to learn more about the community?
CMS | Dr. Magic Flute Cures Viruses With His Dick!

On this episode, Neeley and Chris read a story about a doctor called Dr. Magic Flute who says he can cure women's HPV by having sex with them. Following, they do a story about a girl that shot her vagina doing an online sex show.

Get all our episodes at www.theclassicmetalshow.com.

NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

https://rumble.com/vpws8d-cms-dr.-magic-flute-cures-viruses-with-his-dick.html

post photo preview
Interested? Want to learn more about the community?
What else you may like…
Videos
Podcasts
Posts
Articles
Why Nazareth’s Pete Agnew Thinks the Internet is KILLING Rock and Roll

You’re listening to last week’s news—our VIPs already finished this episode commercial-free seven days ago. Stop waiting in line and get instant access to every show, advance interviews, and exclusive bonus content for just $4.99 at https://classicmetalshow.locals.com.

Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.

FIRST LINK: 👉 JOIN THE VIP INNER CIRCLE: https://classicmetalshow.locals.com

ON THIS EPISODE:

02:15 - The Titans...

00:26:16
Why is Don Jamieson the Last National Act to Play This Iconic Club?

Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.

👉 JOIN THE VIP INNER CIRCLE: https://classicmetalshow.locals.com

👉 Get Don Jamieson's HELL BENT FOR LAUGHTER Here: https://amzn.to/3NBSfCl

Featured On This Episode:

Special Guest Don Jamieson: The comedy vet discusses being the final national headliner at the Funny Stop.

The Death of Local Comedy: Don Jamieson breaks down the reality of closing iconic rooms.

The "Gateway Band" Theory: Don and the guys debate how to indoctrinate friends into ...

01:04:08
Don't Wait For Our GREAT Chat with Heaven & Hell's Vinny Appice!

Vinnie Appice reveals the "drum machine" drama behind Black Sabbath's final studio album with Dio. Lawsuits, legends, and loud drums. Watch now! #Metal #Sabbath

Not a VIP? Join Here Today!!

FULL EPISODE: https://classicmetalshow.locals.com/post/7797752/black-sabbath-vs-heaven-hell-the-truth-about-why-they-switched-names-vip

00:00:26
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

Sponsor: SPONSOR: The CMS Hail and Snore Pillow - https://classicmetalshow.creator-spring.com/listing/hail-and-snore-pillow

Get all your favorite CMS Merchandise from our online store: https://classicmetalshow.creator-spring.com/

BUY CHRIS AKIN'S BEST BOOKS HERE:

Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By ...

DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

SPONSOR: The Classic Metal Show Stickers - https://classicmetalshow.creator-spring.com/listing/classic-metal-show-stickers

Get all your favorite CMS Merchandise from our online store: https://classicmetalshow.creator-spring.com/

BUY CHRIS AKIN'S BEST BOOKS HERE:

Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4
Little Victories by Chris Akin - https://amzn.to/43A143y
...AND OTHER THINGS I SHOULD NOT SAY... By Chris Akin - https://amzn.to/3SRP3Bq

Want more? Get commercial-free episodes, early ...

Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

Sponsor: SPONSOR: Def Leppard - PYROMANIA 40TH ANNIVERSARY BOX SET - https://amzn.to/46AhFaB

Get all your favorite CMS Merchandise from our online store: https://classicmetalshow.creator-spring.com/

BUY CHRIS AKIN'S BEST BOOKS HERE:

Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By Chris ...

LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
Metal fans don’t just listen… they COMMIT.

They buy albums.

They go to shows.

They follow bands for DECADES.

No trend-hopping.

No fake hype.

Just loyalty.

That’s why metal never dies.

post photo preview

NEW ANTHRAX!

Alright… let’s settle this.

Every era had its icon.

The voice.

The presence.

The attitude.

But there can only be ONE greatest frontman.

post photo preview
post photo preview
Adrian Vandenberg Is Bringing WHITESNAKE Back To America… Without WHITESNAKE

placeholder

The “My Whitesnake Years” tour feels less like nostalgia and more like a direct reminder of what hard rock has been missing.

There’s a reason this announcement is already getting old-school rock fans fired up: Adrian Vandenberg isn’t pretending this is some watered-down tribute run. He’s leaning directly into the era of WHITESNAKE that fans still obsess over decades later — and honestly, that’s probably smarter than anything the classic rock world has done in years.

Need something loud enough for “Still Of The Night”? Mötley Crüe - DR. FEELGOOD 35TH ANNIVERSARY LP BOX SET - https://amzn.to/3Je81AA

The newly announced “My Whitesnake Years” U.S. tour will feature Vandenberg alongside UFO guitar monster Vinnie Moore and longtime rock journeyman Marco Mendoza in what’s shaping up to be one giant celebration of late-80s and early-90s hard rock excess.

And here’s the reality: fans are starving for THIS kind of show.

- Not “legacy branding.”
- Not overproduced backing tracks.
- Not bands hiding behind LED screens and fake energy.

Actual players. Actual songs. Actual history.

placeholder

Vandenberg is openly promising a set loaded with classics like “Still Of The Night,” “Here I Go Again,” “Judgement Day,” and “Fool For Your Lovin’.” And unlike a lot of nostalgia tours cashing checks right now, this lineup actually has legitimate pedigree behind it.

That matters.

Marco Mendoza’s résumé alone reads like a hard rock survival guide — WHITESNAKE, THIN LIZZY, Ted Nugent, THE DEAD DAISIES, and more. Vinnie Moore spent over two decades carrying UFO through eras when most bands would’ve folded completely.

This isn’t cosplay rock.

This is the last generation of players who came up in the era where guitar heroes still mattered.

And fans know it.

The reaction online already shows a split forming. Some fans are thrilled somebody is finally keeping these songs alive while WHITESNAKE itself remains largely inactive. Others are already complaining that this isn’t “real” WHITESNAKE without David Coverdale.

But honestly? That criticism misses the point entirely.

Nobody is pretending this IS WHITESNAKE.

What Vandenberg is doing is arguably more honest than half the reunion culture happening right now. He’s celebrating a specific era he actually helped create. That’s very different from random replacement-member touring packages pretending nothing changed.

And there’s another uncomfortable truth here:

These veteran musicians may still care more about performance than a huge percentage of modern rock acts.

The tour promises extended sets, collaborative performances, deep cuts, and an emphasis on musicianship over spectacle. That alone separates it from many current “heritage” tours where the entire night feels rehearsed down to the fake crowd interaction.

Midway through 2026, fans are making something crystal clear:
They still want songs.
They still want solos.
They still want danger.
And they absolutely still want guitar-driven hard rock played by people who lived it.

placeholder

That’s why this tour announcement hit harder than expected.

Because underneath the nostalgia, there’s a bigger message:
Classic hard rock never actually died. The industry just stopped believing in it.

Now Vandenberg, Moore, and Mendoza are about to test whether the fans still do.

And based on the reaction so far, they probably do.

Tickets and VIP packages are already available for the August run.

For more uncensored metal talk, bonus episodes of THE CLASSIC METAL SHOW, early releases of CHRIS AKIN PRESENTS, giveaways, exclusives, and the best hard rock community online, join:
Classic Metal Show Locals

POLL

Is Adrian Vandenberg’s “My Whitesnake Years” tour MORE exciting than an actual WHITESNAKE reunion right now?

  • Yes — this lineup feels more authentic and hungry
  • No — without Coverdale it’s incomplete
  • WHITESNAKE should be done entirely instead of revisiting the past
Read full Article
post photo preview
Bruce Dickinson Is Going Full Madness With “The Mandrake Project: Year Two” — And That’s Exactly Why Fans Can’t Look Away

placeholder

At a time when too many legacy artists are recycling nostalgia and playing defense, Bruce Dickinson is doing the exact opposite. The guy is diving even deeper into the bizarre, surreal world of The Mandrake Project, and honestly, this is the kind of fearless creativity hard rock desperately needs right now.

Need something legendary spinning while you dive into this insanity? Ozzy Osbourne - MEMOIRS OF A MADMAN - https://amzn.to/4lXWhAI

According to reports, Dickinson and Z2 are officially returning with The Mandrake Project: Year Two, a 184-page continuation of the dark comic saga tied to Bruce’s solo universe. And here’s the reality: this thing sounds completely unhinged in the best possible way.  

Bruce himself basically warned fans that the new installment gets “REALLY weird,” while writer Tony Lee hinted the first volume was tame compared to what’s coming now. That’s not marketing fluff anymore. That’s a mission statement.  

And good.

Because this is exactly why Dickinson continues to stand above almost every other classic metal frontman still operating today. The guy refuses to become a nostalgia machine. While other artists spend years packaging the same greatest-hits experience, Bruce keeps building mythology, expanding concepts, and throwing himself into risky artistic territory.

That alone deserves respect.

The new story reportedly pushes deeper into themes involving immortality, science versus magic, parallel realities, and family corruption. Necropolis — the story’s central figure — gets pulled into revelations that completely shatter his understanding of himself and his bloodline.  

This isn’t just another “celebrity comic book.”

That’s the key difference.

Too many musician-driven comics feel like vanity projects. The Mandrake Project feels obsessive. It feels personal. It feels like Dickinson genuinely cannot stop building this world. And that intensity is exactly what makes fans buy in.

Even the deluxe editions sound ridiculously over-the-top — foil collector cards, medallions, giant-format packaging, slipcases, essays, tour stories, and expanded lore.  

Some fans will absolutely love this direction.

Others are probably already rolling their eyes and wondering why Bruce doesn’t just focus on making another straight-ahead metal record.

But honestly? That divide is part of what makes this compelling.

Because whether you love The Mandrake Project or think it’s self-indulgent madness, at least it has an identity. At least it takes swings. At least it doesn’t feel manufactured by committee.

That’s becoming rare.

And let’s be honest: Dickinson has earned the right to go completely off the rails creatively if he wants to. The guy’s career already includes aviation, fencing, radio hosting, novels, film work, and one of the most iconic voices in metal history.  

This comic universe almost feels inevitable at this point.

Midway through their careers, most artists simplify.

Bruce Dickinson keeps escalating.

That’s why fans keep paying attention.

And if “Year Two” really pushes further into surreal horror and cosmic insanity the way they’re teasing, this could become one of the most ambitious side-project universes ever created by a metal musician.  

placeholder

Now the real question becomes:

How far can Dickinson actually take this thing before it completely overtakes the music itself?

That’s where this gets interesting.

For more uncensored metal talk, bonus episodes of THE CLASSIC METAL SHOW, early releases of CHRIS AKIN PRESENTS, exclusives, giveaways, and the best hard rock community online, join now at https://classicmetalshow.locals.com

POLL

Has Bruce Dickinson’s “Mandrake Project” become more exciting than most modern metal albums?

  1. Absolutely — this is the kind of creativity metal needs
  2. It’s getting way too self-indulgent and overblown
  3. Bruce can do whatever he wants — I’m all in regardless
Read full Article
post photo preview
The Lisa Bonet "Substance" the Mainstream Won't Touch (2012)

Let’s be real: the mainstream media wants to talk about Lisa Bonet as some "bohemian icon." On the CMS, we call a spade a spade. We look at the trajectory—from the peak of cinematic intensity in Angel Heart to being "ruined" by Lenny Kravitz and ending up in a John Cusack flick.

Bonet was the voice of a generation that thought they were too big for their own britches. She skipped away from The Cosby Show four or five times because she thought she was a star, only to realize that the "music man" lifestyle—specifically Kravitz’s brand of it—eats the substance out of an artist. We dive into the "ruination" of one of the 80s' biggest crushes and why the metal community’s standard for "hot" always had a shelf life when voodoo and Kravitz were involved.

The version you’re seeing here is the "sanitized" edit. To hear the full, unfiltered, and legally dangerous deep dive—including the stuff that gets us banned elsewhere—join the Inner Circle at https://classicmetalshow.locals.com. Become a VIP and get the substance the mainstream won't touch.

Read full Article
See More
Available on mobile and TV devices
google store google store app store app store
google store google store app tv store app tv store amazon store amazon store roku store roku store
Powered by Locals