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Remember when the fans smashed me for overreacting about YouTube, and how they said we were WAY too small to be on their radar?

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Did SickSense Just Become A Completely Different Band?

SickSense isn’t exactly interested in staying in its lane—and the new Funerals EP makes that painfully obvious.

Vicky Psarakis opens up about the band’s darker musical direction, the surprisingly personal story behind A Moment of Violence, and why chasing whatever happens to be commercially popular can be a fast track to sounding like everybody else.

Then the conversation gets downright nasty when AI music enters the picture. Suno, Spotify, musicians skipping the hard work, endless AI-generated albums and the question nobody seems to want to answer: what happens to music when the humans stop being necessary?

Add a new North American tour and a completely DIY approach to keeping the band alive, and this interview goes a hell of a lot deeper than simply talking about a new EP.

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All comments are merely the opinions of the people speaking them, are for comical ...

00:25:59
Does Asia Still Sound Like Asia? Harry Whitley Talks Indigo!

Walking into Asia as the new vocalist means stepping directly into the crosshairs of fans who know every note, every lyric and every inflection.

Harry Whitley doesn't shy away from that pressure. He talks about the John Wetton comparison, the challenge of performing the classic songs, and what changed when he finally got the chance to help create brand-new Asia music with Geoff Downes.

Then there's Indigo — the album that puts his own stamp on the band and forces the obvious question: can a new era of Asia actually satisfy fans who grew up with the classics?

Harry also gets into working with some seriously intimidating musicians, the band's chemistry behind the scenes, touring plans, fan reaction and why buying the music still matters in the streaming era.

There's a lot more going on here than just another new album interview.

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All comments are merely the opinions of...

00:28:38
Why Did This Rocker Really Have A Meltdown In Japan? (2018 Archive)

When classic rock frontmen drop their guard, the real stories finally come spilling out. From the truth behind high-stakes reunion tours and backstage meltdowns to what really goes on when multi-million dollar bands hit the road, nothing is off-limits. Get ready for an unfiltered look at arena rock ego, ridiculous rider demands, and the shocking reality of why your favorite line-ups just can't stay together. You think you know the whole story behind the rock headlines? Think again.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

01:15:58
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

Quiet Diet

Andrew Hudson: Are We Drowning in Too Much Information?

There’s never been a time when you could find more information faster—and Andrew Hudson thinks that might be exactly what’s screwing everything up.

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The Harlot guitarist opens up about the overwhelming flood of information, misinformation, algorithms and clickbait that makes even the simplest story impossible to take at face value. Why do people automatically believe the version that agrees with them? Have we gotten so buried in bullshit that we’ve stopped caring about what’s actually true?

CHECK OUT HARLOTT'S TRIAL BY FIRE VIDEO HERE:

And just when you think the conversation is done going down that rabbit hole, Andrew gets into how technology is changing music, why discovering new bands has become harder, and the bizarre future of AI-generated music.

FOLLOW HARLOTT AND SHOP ON THEIR BANDCAMP ...

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Paramount And Warner Bros. Are About To Become Skydance — And Hollywood Just Got A Lot Smaller
Paramount and Warner Bros. Discovery are moving toward completing their roughly $110 billion combination, and the resulting corporate entity will be called Skydance.

Hollywood is about to get a new corporate name attached to two of its most recognizable entertainment brands.

Paramount and Warner Bros. Discovery are moving toward completing their roughly $110 billion combination, and the resulting corporate entity will be called Skydance. Paramount Skydance CEO David Ellison announced the name Friday, October 2, just days before the companies are expected to officially close the transaction on October 6. 

And yes — Skydance.

Not Paramount.
Not Warner Bros.
Not Paramount Warner Bros.
Skydance.

That decision says quite a bit about where the power is going in this new Hollywood.

Paramount And Warner Bros. Aren't Disappearing

The important distinction is that the famous studio names aren't being erased.

According to Ellison, Paramount and Warner Bros. will continue to operate as recognizable brands underneath the new corporate umbrella. The stated reasoning is that both studios have identities and histories that shouldn't be diluted by the corporate combination. 

So audiences will still see:

  • Paramount Pictures
  • Warner Bros. Pictures
  • HBO
  • CNN
  • CBS
  • DC
  • Nickelodeon
  • MTV
  • Comedy Central
  • Paramount+
  • HBO Max
  • Discovery's extensive television portfolio

The corporate name sitting above all of that, however, will be Skydance Corporation.

The legal name change is scheduled for October 6, when Paramount Skydance's Class B shares are also expected to move from Nasdaq to the New York Stock Exchange under the ticker SKYD. 

That's a remarkable transformation when you consider the history attached to the names being combined.

The Strange Part: Skydance Was The New Kid

There's an almost surreal element to this.

Paramount has been around since the dawn of Hollywood. Warner Bros. has been making movies for more than a century.

Skydance is comparatively young.

David Ellison founded Skydance Media in 2010, and the company became a major Hollywood production force through partnerships with Paramount on projects including Mission: Impossible, Top Gun: Maverick and other major franchises.

Then Skydance merged with Paramount Global in 2025.

Now Ellison's company name is about to sit over both Paramount and Warner Bros.

That's quite a corporate journey for a production company that didn't exist anywhere near the beginning of Hollywood's studio era.

This Isn't Just A Name Change

The bigger story is what the combined company represents.

The deal brings together enormous collections of film, television, streaming, sports and news assets.

Warner Bros. Discovery brings Warner Bros., HBO, HBO Max, CNN, DC, Discovery, TNT Sports, TBS, Cartoon Network, Adult Swim, Food Network and numerous other properties.

Paramount brings Paramount Pictures, CBS, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV and its other entertainment operations. 

Put those libraries and businesses together and you're talking about one of the largest entertainment companies in the world.

And that is exactly why the transaction attracted so much scrutiny.

The Merger Had To Survive A Legal Fight

The deal didn't simply sail through.

The U.S. Justice Department concluded in June that its investigation did not find that the transaction was likely to harm competition in streaming, linear television or theatrical film development, production and distribution. 

But a group of 12 states subsequently challenged the transaction.

That lawsuit was resolved through a settlement, and a federal judge approved the agreement on September 30, clearing the way for the companies to proceed toward closing. 

The settlement includes commitments involving theatrical film production, worker support and editorial independence at CBS and CNN. Paramount also agreed to release at least 30 theatrical films annually during the first two years under the settlement terms. 

The Writers Guild of America also settled its separate litigation related to the transaction.

So the road to Skydance has involved considerably more than simply signing paperwork.

And Then There's The $6 Billion Question

One of the biggest challenges facing Ellison and the new management team won't be coming up with a logo.

It will be figuring out what happens when you combine two enormous companies that already have overlapping operations.

Reuters reports that the combined company is targeting approximately $6 billion in cost savings while dealing with roughly $80 billion in combined debt. 

That inevitably puts jobs, duplicated corporate functions and overlapping businesses under the microscope.

And that's where this gets particularly interesting for Hollywood.

The new company isn't simply inheriting two giant entertainment libraries.

It's inheriting two giant entertainment infrastructures.

Studios.
Streaming services.
Television networks.
Sports operations.
News organizations.
Technology.
Advertising.
Corporate staffs.
International operations.

There will be enormous pressure to determine what stays, what gets combined and what gets cut.

David Ellison Is Putting His Name — And His Company — On It

There's also a very obvious symbolism to the decision.

The combined corporation could have been called Paramount Warner Bros. Entertainment, Warner Paramount, or something entirely new.

Instead, Ellison chose the name of the company he founded.

Some analysts have interpreted that as a demonstration of Ellison's control over the newly created entertainment empire. 

But Ellison's stated explanation is different: he says the Skydance name provides a corporate identity while allowing Paramount and Warner Bros. to retain their individual identities.

Either way, the symbolism is hard to miss.

Paramount and Warner Bros. are the brands people know. Skydance is the company now sitting above them.

Hollywood's Old Guard Just Got Reorganized

There's something almost fitting about this happening in 2026.

For decades, Hollywood was dominated by a relatively small collection of legendary studios. Paramount, Warner Bros., MGM, Universal, Columbia and Disney became household names.

But the modern entertainment business has changed dramatically.

Streaming shattered the old distribution model.

Cable television has been under enormous pressure.

Movie theaters have become more dependent on major franchise releases.

Technology companies have entered entertainment at enormous scale.

And traditional media companies have been forced to rethink what their businesses actually are.

The Paramount-Warner transaction is another enormous step in that transformation.

And now, when the deal closes, two of Hollywood's oldest and most recognizable studios will effectively operate under the corporate umbrella of a company created only in the 21st century.

Skydance.

The name may be new at the top.

But underneath it sits more than a century of Hollywood history.

And what happens next could determine what that history looks like for the next generation. 

 
 
 
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CRONOS IS DEAD: VENOM’s Legendary Frontman Conrad Lant Dies At 63
Heavy metal has lost one of the men who helped make it dangerous in the first place.
This one hurts. Conrad “Cronos” Lant — the voice, bass player and driving force of VENOM — has died at 63. And while the tributes will pour in today, the reality is brutally simple: there will never be another Cronos.
 
 
VENOM announced the news today, October 1, saying that Lant had passed away and remembering him as the central figure behind more than four decades of the band's history.
No cause of death was given.
 
And honestly, trying to reduce Cronos' legacy to a conventional obituary feels almost impossible.
Because VENOM wasn't conventional.
 
Cronos wasn't conventional.
 
And heavy metal was never quite the same after he showed up.
 
HE DIDN'T JUST PLAY METAL. HE HELPED CHANGE WHAT METAL COULD BE.
 
Before the genre had settled into neat categories, VENOM were throwing gasoline on the entire thing.
 
GET WELCOME TO HELL ON VINYL HERE: https://amzn.to/4xR1Iql
 
Welcome to Hell.
 
Black Metal.
 
At War With Satan.
 
Possessed.
 
Those records didn't merely give extreme metal another sound. They helped establish an attitude, an aesthetic and an entire vocabulary that generations of musicians would take and push even further.
Cronos was at the center of it.
 
His voice wasn't polished.
 
His bass wasn't designed to sit politely in the mix.
 
His presentation wasn't interested in making anybody comfortable.
 
That was the point.
 
VENOM sounded like a band that had discovered the rulebook and decided to set it on fire.
And Cronos was the guy holding the match.
 
VENOM's first two albums in particular became foundational influences on black metal, thrash metal and extreme metal.
 
That's not nostalgia talking.
 
That's history.
 
THE NAME CRONOS BECAME BIGGER THAN THE BAND
 
There is a difference between being the singer in an influential band and becoming an identifiable force within an entire movement.
 
Cronos crossed that line.
 
His name became synonymous with VENOM's most important era, and his unmistakable delivery became one of the defining sounds of early extreme metal.
 
The irony is that VENOM's music was frequently dismissed, mocked or criticized precisely because it was so deliberately crude and confrontational.
 
But that's also why it mattered.
 
Cronos understood something that many technically superior musicians never figured out: impact isn't the same thing as perfection.
 
You can play cleaner.
 
You can sing prettier.
 
You can produce a record better.
 
But if you don't have an identity, none of it matters.
 
Cronos had identity in abundance.
 
AND THAT'S WHY HIS DEATH HITS DIFFERENTLY
 
Metal fans have watched an enormous number of legends disappear over the years.
 
Get In Nomine Satanas: https://amzn.to/4dL0QMK
 
But some losses feel like the closing of a door.
 
This is one of them.
 
Cronos represented something from an era when heavy music still felt genuinely dangerous to outsiders. VENOM didn't need permission from the establishment. They didn't need validation from critics. They simply built their own world and invited the audience inside.
 
That attitude became part of the DNA of extreme metal.
 
And generations followed.
 
The influence of VENOM can be traced through the development of black metal, thrash and extreme metal, making Cronos' contribution much larger than the band's own discography.
 
That's the part younger fans sometimes miss.
 
You don't have to sound exactly like VENOM to have been influenced by VENOM.
 
You don't even have to like every VENOM record.
 
If you listen to extreme metal, chances are you're living in a world Cronos helped create.
 
THE LEGION WAS ALWAYS PART OF THE STORY
 
VENOM's statement specifically thanked the band's “Legions” — the fans who bought the records, attended the shows, wore the shirts and kept the music alive.
 
That's appropriate.
 
Because VENOM was never simply a band you listened to.
 
It was something you joined.
 
Cronos understood that relationship.
 
His son Nathan also issued a message thanking the Legions for their support, saying that his father appreciated them and that “his music will live on.”
 
That is the only answer that really matters now.
 
The music will live on.
 
Welcome to Hell will still sound filthy.
 
Black Metal will still sound dangerous.
 
At War With Satan will still sound completely insane.
 
And somewhere, some kid discovering VENOM for the first time will still wonder how the hell a record made decades ago can sound this nasty.
 
That's the legacy.
 
HERE'S THE REALITY: YOU CANNOT REPLACE CRONOS
 
There will be tribute shows.
 
There will be retrospectives.
 
There will be endless arguments about which VENOM lineup mattered most.
 
There will be musicians talking about what Cronos meant to them.
 
And there will undoubtedly be fans revisiting the records and discovering tracks they haven't heard in years.
 
All of that is inevitable.
 
But none of it replaces the man.
 
Cronos was an original.
 
His voice was his.
 
His stage persona was his.
 
His vision was his.
 
And his fingerprints are all over the history of extreme heavy music.
 
That cannot be recreated.
 
It can only be remembered.
 
THE FINAL WORD
 
Today isn't the day to argue about which VENOM era was better.
 
It isn't the day to litigate every lineup change.
 
It isn't the day to pretend the band's history was simple.
 
Today is about recognizing what Conrad “Cronos” Lant actually accomplished.
 
GET THE CRONOS ON FIRE VENOM T-SHIRT https://amzn.to/4yqciG5
 
He took heavy metal somewhere it hadn't gone before.
 
He helped give an emerging generation permission to be louder, darker, uglier and more extreme.
And whether you loved VENOM, hated VENOM or simply understood their importance, that impact is undeniable.
 
Cronos once helped create music that sounded like the end of the world.
 
Now the man who gave that music its voice is gone.
 
But the records remain.
 
The riffs remain.
 
The attitude remains.
 
The Legions remain.
 
And every time that unmistakable voice comes blasting out of a speaker, Cronos will be right there
again.
 
The legend doesn't need to be resurrected.
 
It never died.
 
Rest in peace, Conrad “Cronos” Lant.
 
Thank you for the noise.
 
Thank you for the attitude.
 
Thank you for the insanity.
 
And most of all—thank you for the music.
 
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Seth Show LIVE! 9/30/26: Why Is Local Media Completely Ignoring Real News?
Local media is failing, local radio is losing its grip, and nobody seems willing to call out the real issues hitting our streets.

Local media is failing, local radio is losing its grip, and nobody seems willing to call out the real issues hitting our streets. When the cameras stop rolling and the microphones go off, the real conversation starts. We dive headfirst into the decaying state of local broadcasting, why host accountability has vanished, and the hilarious reality of dealing with health chaos, off-air disasters, and absurd personal habits while trying to put on a show.

FULL EPISODE:

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

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