Multi-GRAMMY® Award-nominated New York hard rock titans ANTHRAX—Scott Ian (guitar), Charlie Benante (drums), Frank Bello (bass), Joey Belladonna (vocals), and Jonathan Donais (guitar)—will unleash their long-awaited 12^th full-length studio album CURSUM PERFICIO September 18 via Megaforce Records. It marks the band’s first record in ten years since 2016’s For All Kings, which debuted in the Top 10 of the Billboard 200. The phrase Cursum Perficio is Latin for “My journey has come to an end,” “My journey is over,” or “I complete my journey.” It proves apropos for such a complete body of work.

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CURSUM PERFICIO will be available as a standard CD; Target exclusive CD with a fabric patch of the album cover; standard black double LP with pop-up gatefold; Target exclusive double LP, red zoetrope with pop up gatefold; Amazon exclusive double LP, purple zoetrope LP with pop-up gatefold; merch exclusive  lilac vinyl double LP with pop-up gatefold; Metal Injection exclusive white vinyl double LP with pop-up gatefold; Talk Shop Live exclusive signed with red ripple vinyl double LP with pop-up gatefold; Indie exclusive - red, orange yellow vinyl double LP with pop-up gatefold. 

For CURSUM PERFICIO’s first single and video, “It’s For The Kids,” the quintet bulldoze the way for the album’s impact. It’s a classic ANTHRAX ripper locked and loaded with buzzsaw-sharp riffs, explosive drumming, and a howling and head-banging hook. It undoubtedly has all the makings of a future live staple. Listen HERE and watch the official music video HERE. See the quotes below from the band about the single and album.

The band dove into recording CURSUM PERFICIO in earnest during 2022, working out of Dave Grohl’s Studio 606 in Los Angeles. They carefully pieced together what would be this magnum opus, mining their history with reverence, delivering on fan expectations tenfold, and broadening the scope of their signature sound. Produced by Jay Ruston and ANTHRAX, the result is an album that’s as angry, aggressive, and alive as their most celebrated fare. 

“It was quite a journey from the inception of this album to its completion,” Ian says. We were supposed to make this in 2020, but the universe had other plans for everyone. After the Pandemic, we got to be a band again. When we started working on the record, we were just happy to be in a room together. It was so exciting that it was like being reborn in a way. All of that energy and emotion went into the music. The fear of being forced out of our lives and the joy of coming back together are present. The title ‘Cursum Perficio’ feels like ANTHRAX. It resembled what we went through to get to the point of finishing the record.”

“There was an awful lot of growth between Worship Music in 2011 and CURSUM PERFICIO,” Benante elaborated. “This album is a culmination of everything we’ve learned. I was watching a Marilyn Monroe documentary, and I saw ‘Cursum Perficio’ written on a tile in her last home. When I found out what the phrase meant, it immediately clicked with me. We aren’t saying this is our last record, but our journey has come to an end. I believe we’ve completed the task.”

“We had to make Fistful Of Metal and Spreading The Disease to be able to write Among The Living,” Ian goes on. “In the same respect, it took Worship Music and For All Kings for us to be able to write CURSUM PERFICIO. I very much compare this record to Among The Living.”

“We left it all on the table,” agreed Bello. “We really know who we are as ANTHRAX, what turns us on, and what we need to do. I don’t think anybody knows what’s next, but we’re hungrier than ever. From here on out, we’re going to go full throttle for every fucking minute.”

“A friend of mine said, ‘It’s For The Kids’ is a straight-up love letter to your fans,’” Ian says. “That’s exactly what I wanted it to be. The album needed a four-minute thrash song that harkened back to our first era. Whether it’s the aggression or the big chorus, it represents all the best parts of ANTHRAX in a very angry four-minute package. For the video, we wanted to throw back to our ‘Madhouse’ video--thematically it just made sense and this idea opened the door for us to share the experience with our fans. For all of us!”

“The video for ‘It’s For the Kids’ turned out really well,” Benante says. “I don’t necessarily like doing videos and this one had elements of things that I really love. There were fans in it, they showed up, they enjoyed it, it made me enjoy the video just seeing them enjoy it. Hearing the song for the first time, their reaction to it, and just the interaction with them was just great. I think the director did a great job on it. It’s kind of a throwback to our first ever video, ‘Madhouse.’ So I think fans are gonna see it and think ‘oh look at that, I see what they did.’  But yeah, great song and a great video. ‘It’s For the Kids’ is one of the songs that I felt was so strong, and the riff behind it and the rhythm behind it was almost like a tug of war, it’s like a push pull. It has this tension to it where the drums are just playing at a high pace speed, and the guitars are doing pretty much quarter notes with it. And the drums are just going full speed ahead. One of my favorite songs on the record and one of my favorite riffs. I really think this song is a gift to ANTHRAX fans who have been with us throughout the years. This basically is ANTHRAX at its best. Fast paced, thrashing, melodic fucking metal.”

“When I hear certain tracks, I immediately go, ‘I want to do this song. It might have a shot,”  Belladonna notes. “Even the first time I started singing a tune like ‘Madhouse,’ I figured it was going to be a strong one. You just know. There’s a lot of variety to each of our records. To me, ‘It’s For The Kids’ is nice, straight-up ANTHRAX. It has a lot of fire and a punch to it. Vocally, it’s really cooking. It was definitely fun to hammer down on this one and put a lot of drive into it.”

Donais adds, “‘It’s For The Kids’ is a right to the point thrasher. It’s fast, aggressive, catchy and definitely going to be a fun one live. I love the ‘madhouse’ inspired throwback vibe of this video.  Involving the fans and capturing their reactions to a new song adds some energy that really stands out.”

“I’m psyched for people to hear ‘It’s For The Kids!’ Bello comments. “This is a heavy, driving song with a big hook chorus-a combination of classic ANTHRAX and current- I can’t wait to play it live! Had a (cold!) blast filming the video too. It’s a great, energy packed video with a bunch of amazing ANTHRAX fans having a good time on a freezing day in Pennsylvania. The metal kept us all warm.”

The CURSUM PERFICIO track listing is as follows:

Persistence of Memory

The Long Goodbye

It’s For the Kids

Everybody’s Got A Plan

The Edge Of Perfection

Infectious

NYC93

Cursum Perficio

T.O.M.B

Watch It Go

My Victory

Jesse James Dupree is a friend of the show, but friendship doesn't buy you a pass when you decide to desecrate the altar of Run-DMC. We sat down to listen to Jackyl's cover of "It’s Tricky," and what we found was a cringe-inducing attempt to recapture the lightning-in-a-bottle magic of "Walk This Way." It’s not just bad; it’s "chainsaw-revving-in-a-silent-library" misplaced.

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But the rot doesn't stop with Dupree. We take a hard look at the architects of the "Sell-Out" blueprint: Aerosmith. Since 1987, the Bad Boys from Boston have traded grit for glitter, culminating in Steven Tyler's absolute surrender of dignity on the American Idol stage. When did rock stars stop being dangerous and start being caricatures of their own grandmothers? We’re pulling the curtain back on the fake drama of reality TV saloons and the "shitty" reality of modern rock covers.

The version you’re seeing here is the "sanitized" edit. To hear the full, unfiltered, and legally dangerous deep dive—including the stuff that gets us banned elsewhere—join the Inner Circle at https://classicmetalshow.locals.com. Become a VIP and get the substance the mainstream won't touch.

Let’s be real: the “Founding Member” doesn’t mean a damn thing to the suits anymore. We just sat through the absolute train wreck of a Judas Priest documentary discussion, and it’s clear—the industry wants the brand, but they hate the history. Excluding KK Downing and Ripper Owens isn’t just a snub; it’s a rewrite of history that treats a decade of the band’s life like a mistake.

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And don’t even get us started on the Van Halen camp. Alex is digging through Eddie’s private vaults, bringing in Steve Lukather—a god on the fretboard, sure—to “finish” what Eddie left behind. If the man who defined modern guitar didn’t finish it, it wasn’t meant to be heard. It’s the same disease affecting The Eagles and Pantera. At what point do you stop being a band and start being a traveling museum of “what used to be”? We’re watching our heroes turn into high-priced tribute acts of themselves, and the fans are expected to just swallow it and buy the 1,700-minute Reload box set.

The version you’re seeing here is the “sanitized” edit. To hear the full, unfiltered, and legally dangerous deep dive—including the stuff that gets us banned elsewhere—join the Inner Circle at https://classicmetalshow.locals.com. Become a VIP and get the substance the mainstream won’t touch.