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TOWNSEND: Heavy Metal is for Hypersensitive Kids

Devin explains why the heaviest music comes from the most sensitive people, not "sociopaths".

The version you’re seeing here is the "sanitized" edit. To hear the full, unfiltered, and legally dangerous deep dive—including the stuff that gets us banned elsewhere—join the Inner Circle at https://classicmetalshow.locals.com. Become a VIP and get the substance the mainstream won't touch.

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00:02:41
75-Year-Old Grandma Picks The Wrong Shift Leader At Tim Hortons (VIP)

Neeley and Chris dive into the bizarre legal fallout of a Tennessee school board member facing criminal assault charges after a context-dependent comment to a student. Was it a predatory move, or did an algorithmic outrage mob just destroy a 20-year career over a colloquial phrase? Immediately following that, the hosts react to the shocking viral footage of an elderly woman engaging in a physical brawl with a Tim Hortons shift leader. We break down the footage, look at who threw the first punch, and ask the uncomfortable question: Has public decorum officially collapsed?

00:58:56
Why Nazareth’s Pete Agnew Thinks the Internet is KILLING Rock and Roll

You’re listening to last week’s news—our VIPs already finished this episode commercial-free seven days ago. Stop waiting in line and get instant access to every show, advance interviews, and exclusive bonus content for just $4.99 at https://classicmetalshow.locals.com.

Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.

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ON THIS EPISODE:

02:15 - The Titans...

00:26:16
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By ...

DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By Chris ...

LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
Your Bandcamp Metal Of The Day...

Apparently, this guy is The Sopranos' answer to Vinnie Vincent.

Heaven and Hell live 2009.

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Something About This Rock Hall Induction Feels Off

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The gatekeepers of rock history are making decisions that don't make any sense, and legacy artists are scrambling to handle the fallout. From the messy politics behind who gets into the Rock Hall to veteran musicians dropping "reimagined" tracks nobody asked for, the line between honoring the past and exploiting it is completely blurred.

If you’re watching this here, you’re already late.
The full episode, exclusive third segment, and early interviews are already on Locals: https://classicmetalshow.locals.com

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Crown Lands Created Something Bigger Than “Prog”
How far can Crown Lands push modern progressive rock without compromising accessibility?

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Most bands are chasing shorter songs. Crown Lands went the opposite direction. And somehow it works.

 

 

If you’re watching this here, you’re already behind. The full episode, exclusive 3rd segment, and early interviews are on Locals: https://classicmetalshow.locals.com

WATCH CROWN LANDS "BLACKSTAR" HERE:

Cody Bowles breaks down why Crown Lands refuses to write for short attention spans, how Apocalypse was built, and why progressive rock still matters in 2026.

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This conversation digs deep into songwriting, long-form music, touring realities, vocal evolution, and the challenge of building something ambitious in today’s music industry.

The deeper you go into this album, the more you realize Crown Lands isn’t trying to fit into trends — they’re building worlds.

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L.A. GUNS Bring The “Electric Gypsy” Back From The Guild Theatre With New ‘Live From The Guild Theatre’ Album Out July 3

June 3, 2026 -- July 3 sees the release of one of the most anticipated live albums of the metal year, a full all-format release for Live From The Guild Theatre, recorded almost exactly one year earlier at the onstage launch of L.A. Guns’ most acclaimed album in years, the mighty Leopard Skin.

 

 

Rockpit.net described Leopard Skin as “a hook-filled, melody-drenched delight—perfectly mixed and balanced from start to finish. If you’re a diehard rocker who still worships the ’80s glory days, this one’s for you. But don’t get it twisted: this isn’t some nostalgic retread. L.A. Guns aren’t stuck in the past—they’ve evolved naturally, delivering a record that feels fresh while staying true to their roots.”
 
MetalPlanetMusic.com said the Guns are “still churning out bangers,” and Maximumvolumemusic.com applauded them for still having “a way of sounding filthy.”  In fact, that review continued, “The best thing about L.A. Guns is how unapologetic they are, and ‘Hit and Run’ nails it. ‘We’re just having fun,’ sneers [vocalist Phil Lewis], as only he can.”
 
It nails it here, too, sliding in between “Hellraisers Ball” and “Like A Drug,” but Live From The Guild Theatre is explosive from start to finish, the Gunners firing off killer versions of fan favorites tracing as far back as the band’s debut album - “Sex Action,” for example, probably hasn’t featured in the repertoire since the eighties, but it’s alive and kickin’ here.
 
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Sophomore set Cocked and Loaded, meanwhile, spits out some of the most powerful shotgun blasts in the band’s entire arsenal - “I Wanna Be Your Man,” “The Ballad of Jayne,” “Rip and Tear,” and the set-ender, “Never Enough.”  And Leopard Skin gets both a triumphant airing and a delirious response.
In fact, longtime vocalist Phil Lewis and the man who put the Guns in L.A. Guns, Tracii Guns, have never sounded better - quite an achievement for a band that’s been tearing up the stages of the world since 1983!  Ace Von Johnson (guitar), Johnny Martin (bass) and Shawn Duncan (drums) complete the line-up.
 
The first single from the album, “Electric Gypsy” which is now available to stream and download HERE, is another from the self-titled debut, and it sounds as fresh now as it did way back then…drop it into your streaming playlist and it won’t simply wake up the neighbors, it’ll have them hammering on your door, demanding to know what you’re listening to.
 
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Yes, you’ll tell them it’s L.A. Guns - who else could it be?  But you can also tell them that it’s not only coming out on CD and vinyl, but there’s a DVD and a cassette. 
 
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Here’s the track listing for LIVE FROM THE GUILD THEATRE:
 
1. Intro - Taste It
2. Cannonball
3. Electric Gypsy
4. Sex Action
5. Hellraisers Ball
6. Hit and Run
7. Like a Drug
8. Speed
9. One More Reason
10. Theremin Jam
11. Over the Edge
12. Guitar Solo
13. I Wanna Be Your Man
14. Lucky Motherfucker
15. Never Enough
16. The Ballad of Jayne
17. Rip and Tear
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