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February 23, 2026

Who Has the Balls to Sing for Eddie? The Brutal Search for the New Van Halen Voice! (VIP)

This isn't your daddy's music journalism—this is AI-Driven Combat Research. While the mainstream media plantation begs for table scraps from PR firms, we’ve deployed Alex and Alicia Iverson to bypass the gatekeepers and extract the raw, "jailbroken" truth from the Van Halen vault. We don’t do "rumors"; we do industrial-strength data reclamation for the real fans who refuse to consume the sterilized slop served by the corporate machine.

Opening the Vault: 4 Records of Eddie’s Ghost!
The Spackle: Why Steve Lukather Isn’t Playing a Single Note.
"No Young Punks": Alex Van Halen’s Brutal Rule for Singers.
The Cucumber vs. Wisdom: The Quote of the Century.

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February 20, 2026

STEPHEN PEARCY TEASES NEW MUSIC WITH SNIPPET OF SONG “DRIVE” FROM HIS FORTHCOMING ALBUM DUE OUT LATER THIS YEAR

STEPHEN PEARCY—the voice of RATT—has teased his upcoming sixth solo album by rolling out a snippet of the song “Drive.” The track was written by PEARCY and features one of the album’s many special guests on lead guitar—someone whose name will soon be revealed. PEARCY and early RATT bassist (circa 81’) Matt Thorne co-produced the album, which will be released on PEARCY’s own Top Fuel Records (exact release date is TBA).

PEARCY will take a break from recording to perform on February 26 at the Yaamava’ Theater in Highland, CA with guitarist extraordinaire Warren DeMartini—his longtime bandmate in RATT and current touring partner under the Pearcy/DeMartini moniker. This is one of the shows on “The Undercover Tour,” a mix of solo dates and ones with Pearcy/DeMartini.

PEARCY—the vocal powerhouse, prolific songwriter, seasoned entrepreneur, and indefatigable force of nature recently sat down for a Q&A answering a wide range of questions in a voice that’s uniquely his.

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February 16, 2026

The SPHERE SCAM: Why Tool is Risking Everything for a "Robot Eyeball" (VIP)

Mainstream metal media is drooling over the "lights and lasers," but they’re too damn scared to ask the real question: Is Tool flushing their legacy down a Vegas toilet? Danny Carey says they’re the "perfect band" for the Sphere, but is this just a massive cash grab to fund a 16K ego trip? We’re diving into the secret negotiations that have the "Octopus" getting vertigo and the fans getting ripped off. Only the CMS has the balls to tell you why this "cinematic experience" might be the final nail in the coffin for new music.

Danny Carey Spills the Beans: Tool in the "Robot Eyeball"
The Financial Black Hole: Why This "Art" is a Trap
16K Resolution vs. 13-Year Wait Times
Metallica is Moving In? The Battle for Sphere Supremacy
Vertigo and Vomit: Why Tool Fans are "Loyal Idiots"

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November 21, 2025

DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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November 21, 2025

Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

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November 20, 2025

LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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13 hours ago

This Just Slays!

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1 hour ago

Jon Drake on a date before he met his wife.

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March 07, 2026

The Classic Metal Show LIVE! 3/7/26 (Full Show)

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Twisted Sister is back, but without Dee Snider, is it just a high-budget cover band? Neeley and Chris rip into the delusional reality of Sebastian Bach stepping into the SMF shoes and why this "blessing" from Dee feels like a total surrender. If you want the truth that the corporate rock labels are too scared to tell you, get your ass behind the velvet rope right now.

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– The "Sister" Act: Why replacing Dee Snider is a middle finger to the fans.
– Sebastian Bach’s Ego vs. Twisted Sister’s Legacy: A collision course of hairspray and delusion.
– Dee Snider gives his "blessing"—or is he just happy he doesn't have to wear the makeup anymore?
– Can Bach actually sing "Burn In Hell" without blowing out ...

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48 minutes ago

The Classic Metal Show LIVE! 2/28/26 (Full Show)

The corporate vampires are officially sucking the marrow out of rock and roll, charging $34,000 for a seat while the Rock Hall nominates pop stars who couldn't find a power chord with a map. Chris Akin is back from Top Golf with a broken foot and zero patience for the "sanitized" version of music history the industry is trying to feed you. If you’re tired of being priced out of your own culture by suit-and-tie parasites, get behind the velvet rope where the truth actually lives.

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– Top Golf, Mac & Cheese, and the Physical Decay of Chris Akin.
– The $34k Metallica Ticket: Why Lars Ulrich is Laughing at Your Bank Account.
– Rock Hall 2026: Another Year of Disrespecting Every Band You Actually Love.
– Alex Van Halen vs. Sammy Hagar: The Vault-Digging Spite Fest Continues.
– Jon Schaffer and the Cowardice of Music Industry Cancel Culture.

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17 hours ago

Former ARCH ENEMY Singer ALISSA WHITE-GLUZ Launches New Band BLUE MEDUSA

Former Arch Enemy vocalist Alissa White-Gluz has unveiled her new musical venture: the band Blue Medusa, announced on International Women's Day, March 8, 2026.The announcement marks a bold new chapter for the Canadian metal powerhouse, who departed Arch Enemy in late 2025 after more than a decade fronting the melodic death metal giants. White-Gluz joined Arch Enemy in 2014, contributing to four studio albums including War Eternal (2014), Will To Power (2017), Deceivers (2022), and Blood Dynasty (2025). Her final performance with the band took place on November 15, 2025, in Düsseldorf, Germany.

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In a statement shared via social media and her official channels, White-Gluz described Blue Medusa as "the next evolution of everything I’ve been building toward; a project where my full artistic vision can exist without limits."She elaborated: "After twenty years performing on the world's biggest stages, I'm entering a new creative chapter. The year of the snake is finally over — now it's time to shed the skin."The band features a powerful all-women lineup centered on heavy, aggressive metal with technical flair:

Alissa White-Gluz — vocals
Alyssa Day (Mindscar, Absentia) — guitar
Dani Sophia (ex-Till Lindemann) — guitar

Joining them for live performances:

Delaney Jaster (Stitched Up Heart) — drums
Alicia Vigil (Dragonforce, Vigil of War) — bass

White-Gluz highlighted the complementary styles of her guitarists, noting: "So far the music we are making together is exactly what I have always wanted. Super heavy, energetic, catchy and evocative at the same time."The project promises "blazing guitar solos, crushing riffs, brutal vocals, fast and aggressive drums, thoughtful melodies, and deeply introspective lyrics layered with meaning." Drawing on the myth of Medusa, White-Gluz reframed the symbol: "Medusa turned people to stone… I want to pave the road in sapphire," and emphasized empowerment: "Medusa was never the monster that myth claimed. She is a guardian, a curse turned into strength."

The announcement ties into White-Gluz's longstanding advocacy for women in heavy music. "I chose to share this news on International Women's Day because building stronger platforms for women in heavy music is something I care deeply about," she said. "I've been carving my own path in this genre for a long time, and I want to help pave the road for the next generation of women who love metal as much as I do."New music from Blue Medusa is "coming soon," with the band's first live appearances scheduled at the Louder Than Life and Aftershock festivals.

The launch follows White-Gluz's recent solo endeavors, including her debut solo single "The Room Where She Died" (released late 2025) and an upcoming full solo album via Napalm Records. Blue Medusa appears positioned as a distinct band project, allowing her full creative control, including co-engineering, producing, and handling visual elements like artwork and video direction.

Fans and industry figures have reacted positively to the news, with White-Gluz noting overwhelming support following her Arch Enemy exit: "The fans' and industry peers' responses honestly blew me away. There was so much love, encouragement, and genuine support, more than ever before, and it felt incredibly energizing."Blue Medusa represents White-Gluz's continued evolution from her roots in The Agonist through her Arch Enemy era and now into an independent, vision-driven future in metal. Stay tuned for updates on releases and live dates.

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19 hours ago

Legendary Guitarist Steve Morse Opens Up About Battling Arthritis: "Don't Give Up While You've Still Got a Breath"

Anaheim, California – March 7, 2026 – At the recent NAMM Show, iconic guitarist Steve Morse, best known for his work with Deep Purple and The Dixie Dregs, gave a candid interview to American Musical Supply, revealing the profound impact arthritis continues to have on his playing at age 71.

Morse, who first publicly discussed the severity of his condition in 2024—explaining that decades of intense practice ("about 10,000 notes a day") had worn away all cartilage in his right-hand wrist—described the daily challenges and his unwavering determination to keep performing."It's hard to keep playing," Morse told the outlet. "The arthritis thing is huge. I've tried every treatment I can find. In fact, I've got another trip a thousand miles away to try something else. So, yeah, I changed my technique, changed my picking pattern, changed everything that I can to make it through whatever the challenge is."

He acknowledged the frustration this might cause for younger musicians, but emphasized that he's carving his own path rather than blocking opportunities. "This must be so frustrating, if you are a young player... to hear an older guy who's taking up one of the gigs you could be having," he said. "But fear not, I'm not taking anybody's place because I'm doing my own thing."

Drawing inspiration from remarkable figures in music history, Morse recalled seeing a bass player from the band Hydra perform with an amputated arm as a young fan in Atlanta. He also cited the late blind guitarist Jeff Healey, who developed his own innovative techniques. "Humans adapt," Morse reflected. "I've learned a lot from watching things on the farm, watching the ants... The persistence of animals counts, and insects. They keep on and on and on and they find a way. But they never stop. I guess that's one of my big lessons, is don't give up while you've still got a breath."

In a prior interview last October, Morse detailed the constant adjustments required during live shows, including shifting picking angles and hand positions mid-set to manage varying pain levels in his joints. "During the show tonight, I'll be changing positions constantly," he explained. "You have to really, really, really want to play, to deal with the advance of arthritis."

Looking to the future, Morse expressed uncertainty about his long-term ability to tour rigorously. "I don't know what's going to happen. When I wake up, am I going to be able to move my hand or not? I don't know," he said. "So far, I have been able to [and] make every gig. I think my time of doing the performance grind is closing. That window is closing." However, he remains optimistic about composing, writing music, and possibly performing in less demanding formats with support from other musicians.

Morse's storied career spans decades, beginning in the mid-1970s with the jazz-rock fusion of The Dixie Dregs, which earned multiple Grammy nominations. He later formed the Steve Morse Band, joined Kansas, and became a member of Deep Purple in 1994—serving as their longest-tenured guitarist until his departure in 2022 to care for his wife, who passed away in 2024. Throughout, he contributed to projects like G3, Flying Colors, Living Loud, and Angelfire, showcasing his extraordinary versatility.

Despite the physical toll, Morse's interview underscores a resilient spirit and a deep love for the instrument that has defined his life.

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