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So, last week we got our second "content" strike for "hate speech". Because of this, we now have 2 "content strikes" and 1 "copyright strikes", along with more than 50 videos that they have marked as "explicit" where people have to be logged in to get the content.
In short, I'm done with it.
Effective immediately, we will no longer use YouTube in any capacity. Our channel, while it will stay up until they shitcan it, will no longer be active once the current 2 week suspension is lifted.
For CMS people, I've moved over 2500 videos over to Rumble, Odysee and Bitchute. That's where we will be from now on. Sign up for 1 or all of them and use them. Odysee is my favorite of the 3 personally, although for those of you looking for having it on any device, Rumble has apps for the tv players like Roku, Apple TV and Amazon Fire. You can also watch on our own apps on Roku and Amazon Fire Sticks.
Not much is going away because we were ahead of the curve here, but the end of YouTube is here. If you are a person that just looks for us online, this is where we'll be.
Fatty Logic For The Plus Sized Dance Troupe!
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Is There Anything Worse Than White Liberal Women?
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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.
The Woodstock Of Yacht Rock?
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What's the real story behind the "new face of Ozempic" comment made about the plus-sized dance team? Neeley and Chris break down the shocking hypocrisy of one announcer keeping his job when Don Imus was fired for a similar jab. We also dive into the Baltimore Mayor's controversial statement that "America doesn't deserve Black women," and what the guys hope he does next. Finally, a fun update on the mechanic who made bank and became a millionaire thanks to OnlyFans!
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...AND OTHER THINGS I SHOULD NOT SAY......
The shocking conversation that needs to happen right now is here. Following the murder of ex-Lost Prophets singer Ian Watkins, convicted of unimaginable crimes against children, the question is simple: Is it morally okay to celebrate the death of a truly evil human being? We dive deep into this controversial topic with a no-holds-barred discussion that uses the Charlie Kirk murder backlash as a yardstick. Where do we draw the line between “murder is murder” and being happy a monster is off the planet? This episode gets dark, raw, and immediately viral-worthy as we tackle this difficult moral dilemma that the mainstream media is too afraid to touch.
Beyond the heavy stuff, Seth airs a personal and unnerving problem: a potential stalker is continually breaking into his home, turning on the gas and flooding the garage. It’s a terrifying escalation that reminds everyone about the very real-world danger of social media anonymity and threatening people’s lives. We also break down the absolute wreckage that...
Chris and Erik start the show with a look back at some of the weird stuff they acquired during their divorces, including a bizarre musket lamp and ridiculous framed art. This leads them into an extended riff on collectible items, telemarketing scams like the Highlander coin collection, and ‘of the month’ clubs for everything from plates to film. The guys then transition to discussing old TV shows like Columbo and Twilight Zone, reflecting on how much the world has changed, especially regarding how crimes are solved and the general ‘70s aesthetic. Finally, they dive deep into the messy truth about the music business, discussing Steven Pearcy‘s generosity on tour, why paying to open for bands like Texas Hippie Coalition and Tesla is often a losing game, and the new, internet-focused approach to building a music career.
02:16 - The Crazy 70s Lamp and Ex-Wife’s Stuff
03:26 - Buying Used Stuff After Divorce: The Goodwill Microwave Story
04:53 - The Ugly Musket Lamp and Embarrassing Bathroom Art
07:11 - Susan’s Bad Online Purchases and the Mini Cat Litter Pan
08:21 - Ex-Wife Took All ...
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Considering the influence of blues on both bands, who had the more authentic sound: Tesla, with their stripped-down, no-frills rock, or Great White, with their more theatrical, bombastic approach?
