On this episode of Afterhocks TV, hosts Matt and Chris dive deep into the legendary career of Geezer Butler, the iconic bassist best known for his work with Black Sabbath. They focus particularly on his 1995 debut album with his solo project GZR, Plastic Planet.
The album, which blends heavy metal with industrial and electronic elements, is often regarded as an underrated gem of the 90s. Matt and Chris explore the unique lineup of the band at the time, which included ex-Fear Factory vocalist Burton C. Bell, whose distinct voice added a powerful dimension to the album's sound. Alongside them was the incredibly talented drummer Deen Castronovo, who would later go on to play in bands like Journey and Bad English, but here demonstrates his hard-hitting, dynamic style.
The episode delves into the creative process behind Plastic Planet, which was shaped by the collaboration of these incredible musicians and Geezer Butler's own vision. The album’s blend of heavy riffs, industrial noise, and darker lyrical themes stands in stark contrast to much of the music being produced in the mid-90s, making it an important and often overlooked release for metal fans.
Matt and Chris discuss how Plastic Planet captures a different side of Geezer Butler, one that moves away from the traditional Black Sabbath sound and embraces a more modern, experimental approach. They highlight standout tracks, the album’s atmosphere, and the innovative production choices that helped the album resonate within the metal community—despite not receiving mainstream attention.
Whether you're a longtime Black Sabbath fan or a newer listener to Butler’s solo work, this episode is a great deep dive into a forgotten classic that has only grown in significance over time.
*NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**
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Chris Akin and Erik are diving deep into the new ABBA virtual show – are these "ABBAtars" the future, or will they kill live music as we know it?! They'll give their unfiltered takes on whether these high-tech spectacles could replace real concerts. Plus, they break down the buzz around Ozzy Osbourne and Black Sabbath's BACK TO THE BEGINNING retirement show. Will it be a metal masterpiece or a final fizzle? Tune in for all the hot takes!
#ABBAVoyage #VirtualConcerts #LiveMusicFuture #OzzyOsbourne #BlackSabbath
ABBA Voyage, virtual show, live music, future of music, Ozzy Osbourne, Black Sabbath, retirement show, concert technology, music industry, Chris Akin Presents
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Seth is back from Gatlinburg, and Chris Akin is ASTOUNDED by the amount of money he blew on "useless nonsense" – hear Seth's spirited defense! Then, get ready for a HUGE announcement: Jim Florentine is joining them for a special show in September! Finally, they dive into the hot topic of "crazy violent Liberals" and vent about how "unfair" it is that Tom Brady seems to have everything handed to him.
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#VacationFail #JimFlorentine #PoliticalRant #TomBrady #Unfiltered #TravelWaste #ComedyShow #Liberalism #NFL #Controversial
Gatlinburg vacation, useless spending, Jim Florentine comedy, violent liberals, Tom Brady success, podcast debate, conservative talk, celebrity envy, political commentary, stand-up comedian
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Get ready for an explosive episode as Seth and Chris Akin dive into the pending USA/China tariff deal, then immediately get into a SCREAMING MATCH over fast food pricing! Should your burger be cheaper if you ditch the lettuce? You won't believe how heated it gets! Plus, the shocking news of Nick Chubb joining the Houston Texans – how will Browns fans react to this betrayal? #FastFoodFight #NickChubb #Browns #TariffDrama #PodcastClash
#FoodDebate #NFLNews #TradeDeal #Argument #ClevelandSports
fast food prices, burger ingredients, economic tariffs, Nick Chubb Texans, Cleveland Browns fans, fast food debate, trade war, NFL free agency, sports talk, money saving tips
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Brace yourselves, metal podcast fanatics! Chris Akin and Neeley REVIEW the "Back to the Beginning" Live show, celebrating the retirement of Ozzy Osbourne and Black Sabbath. Was it legendary or laughably bad? We hold nothing back, dissecting the good, the bad, and the downright pitiful as only CMS can!
The Classic Metal Show is the cancel-proof show that no one else dares to be. With Chris Akin and Neeley delivering uncensored rock talk and anti-woke commentary, we're your source for music news unfiltered and all the heavy metal drama the mainstream won't touch. This is the rock podcast you've been waiting for.
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Get ready for pure rage, chaos, and brutal honesty! Chris Akin is UNHINGED as he rants about people shooting fireworks in his yard. Then, brace yourself for his BRUTAL review of Jurassic Park: Rebirth – this movie gets absolutely DESTROYED.
The Classic Metal Show is the cancel-proof show that no one else dares to be. With Chris Akin and Neeley delivering uncensored rock talk and anti-woke commentary, we're your source for music news unfiltered and all the heavy metal drama the mainstream won't touch. This is the rock podcast you've been waiting for.
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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as ...
Bill dives deep with Sergio, guitarist and founder of Costa Rican thrash metal band Necrolisis! From childhood hip surgery to discovering metal through Iron Maiden, Transformers, and yes—Teenage Mutant Ninja Turtles—Sergio's origin story is wild! We talk Costa Rica's thriving underground metal, why math is key to brutal riffs, and how he balances shredding with being a chemical engineer. Plus, the story behind "Templo de Fraude," their concept album critiquing organized religion. Packed with insight, laughs, and pure metal energy!
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#Necrolisis #ThrashMetal #CostaRicaMetal #ChemicalEngineer #TemploDeFraude
Necrolisis, Sergio, thrash metal, Costa Rica, metal interview, Iron Maiden, Transformers, TMNT, Templo de Fraude, concept album, chemical engineer, music origin, underground metal, guitar riffs
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💥 Metallica’s And Justice for All is one of their most complex records, but was the lack of bass a major flaw or a bold choice? 🤔 The riffs are undeniable, but did it make the album feel empty?
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Here's an interview I did with Paul and Gene 20 years ago. Little did I know our relationship would collapse into bitterness and estrangement over my opposition to Tommy and Eric wearing Ace and Peter's makeup. What can I say? Two guys made up to look like Peter and Ace from KISS' heyday. I can't look at that.