This week on THE CLASSIC METAL SHOW, Neeley and Chris rip into the sad state of some of our heroes now performin' in chairs – what a buzzkill! They suffer through some truly awful audio of Heart's Ann Wilson on the Howard Stern Show, then grimace at the ever-worsening news about Black Sabbath's supposed final gig as Ozzy keeps pumpin' the brakes in the press. And if that ain't enough, they share some cringe-worthy footage of David Lee Roth from his M3 performance tonight. Prepare for some serious metal talk!
To find more headbangers, use these hashtags: #ClassicMetal #HeavyMetal #BlackSabbath #DavidLeeRoth #AnnWilson.
performers in chairs, Ann Wilson Howard Stern, Black Sabbath final show, Ozzy Osbourne expectations, David Lee Roth M3, crippled rockers, bad audio review, lowering expectations, horrible footage, metal disappointment
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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.
Devin explains why the heaviest music comes from the most sensitive people, not "sociopaths".
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Neeley and Chris dive into the bizarre legal fallout of a Tennessee school board member facing criminal assault charges after a context-dependent comment to a student. Was it a predatory move, or did an algorithmic outrage mob just destroy a 20-year career over a colloquial phrase? Immediately following that, the hosts react to the shocking viral footage of an elderly woman engaging in a physical brawl with a Tim Hortons shift leader. We break down the footage, look at who threw the first punch, and ask the uncomfortable question: Has public decorum officially collapsed?
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Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.
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ON THIS EPISODE:
02:15 - The Titans...
Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
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What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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@classicmetalshow Do we think this is down to poor ticket sales/high ticket prices, has Gene fell out of favour for unpopular opinions he has voiced, is he just old news and people are just not interested anymore, or is there some other reason? Interested to know what people say.
If you read Stevie Rachelle’s piece on Metal Sludge about the dodgy Australian promoter here’s a TV piece about it.
The school system went completely off the rails over a yearbook quote, and nobody can tell if it's a setup or sheer panic. Plus, the entertainment pipeline has officially shifted from high-end premium dramas to selling foot pics on reality TV. A lot of fans aren't sure what to make of how cheap things have gotten.
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BEAST IN BLACK has officially ended months of speculation by announcing Markus Venehsalo as its new guitarist, and whether fans like it or not, this move signals that the band's next era is already underway. After the departure of longtime guitarist Kasperi Heikkinen, the question wasn't whether the band would find a replacement—it was whether anyone could realistically step into that role without triggering comparisons and criticism from diehard fans.
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Here's the reality: replacing a guitarist who spent a decade helping define a band's live identity is never a simple personnel update. It's a statement. It's a risk. And it's a test of how confident a band is in its future.
BEAST IN BLACK announced in 2025 that Heikkinen was leaving the group after ten years, creating one of the most significant lineup changes in the band's history. At the time, the band continued touring while searching for the right long-term fit.
Now that search appears over.
According to the band's announcement, Markus Venehsalo has officially joined the lineup, giving fans their first real glimpse of what the next phase of BEAST IN BLACK will look like.
And the timing couldn't be more important.
The band is already preparing for one of the most critical periods of its career. Founder Anton Kabanen recently sat out touring activity to focus on completing BEAST IN BLACK's long-awaited fourth studio album, openly admitting that the project has faced years of obstacles, delays, and creative challenges.
That means Venehsalo isn't simply joining a successful touring band.
He's walking directly into the pressure cooker of a new album cycle.
That's where things get interesting.
Fans don't judge replacement members on announcement day. They judge them when the new songs arrive. They judge them when classic tracks hit the stage. They judge them when inevitable comparisons begin flooding social media.
And let's be honest—those comparisons are already starting.
BEAST IN BLACK has built one of the most recognizable sounds in modern power metal, blending traditional metal, massive hooks, and an unapologetically theatrical style that has helped turn them into one of Finland's biggest modern metal exports.
The challenge for Venehsalo won't be technical ability.
The challenge will be convincing fans that this isn't a downgrade, a placeholder, or simply "the guy replacing Kasperi."
He has to become part of the identity.
That's a much tougher assignment.
The next album may ultimately determine how this lineup change is remembered.
If the record lands with the impact fans expect, Venehsalo's arrival could quickly become a non-story—a seamless transition that strengthens the band heading into its next decade.
If it doesn't?
Every disappointed fan comment will circle back to this announcement.
That's how metal fans operate.
And that's why this move matters far more than a typical lineup update.
What do you think? Is BEAST IN BLACK making the right move, or does replacing a decade-long member create risks that can't be ignored?
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Will Markus Venehsalo strengthen BEAST IN BLACK or change the band's chemistry for the worse?
If you've wanted to see Glenn Danzig live, your next opportunity is officially on the calendar.
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Danzig has announced a short run of U.S. dates scheduled for September, bringing Twin Temple, Burning Witches, and ANA along for a series of performances that will culminate with a special hometown-area appearance at Anaheim's Honda Center.
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Tour dates:
Sep. 11 - San Antonio, TX - Boeing at Tech Port
Sep. 12 - Houston, TX - Bayou Music Center
Sep. 14 - New Orleans, LA - The Fillmore
Sep. 17 - Louisville, KY - Louder Than Life
Sep. 18 - Nashville, TN - Pinnacle
Sep. 20 - Grand Prairie, TX - Texas Trust Co Theatre
Sep. 26 - Anaheim, CA - Honda Center
The announcement continues a trend that's become increasingly common for Danzig over the last several years. Instead of massive coast-to-coast tours, the legendary frontman has favored shorter, carefully selected runs that allow fans a limited number of opportunities to catch him onstage.
That approach has only increased demand whenever new dates are announced.
This latest run includes stops in Texas, Louisiana, Kentucky, Tennessee, and California, while also featuring an appearance at the Louder Than Life festival. According to Danzig, fans attending the Anaheim show can also expect an additional announcement that has yet to be revealed.
For many metal fans, that's enough reason to pay attention.
Danzig remains one of heavy music's most unique figures. From the Misfits to Samhain to his solo career, he's built a catalog that few artists can match. Songs from albums like Danzig, Lucifuge, and How The Gods Kill continue to draw crowds decades after their release.
What's especially notable about these dates is the supporting lineup.
Burning Witches has steadily established itself as one of the strongest traditional metal bands to emerge in recent years, while Twin Temple continues to carve out a unique identity with its blend of vintage influences and dark theatrical presentation. Combined with Danzig's catalog, the package offers a little more variety than the typical legacy-metal tour.
And that's likely by design.
Rather than simply recreating the past, Danzig has generally preferred putting together bills that introduce audiences to artists operating outside the usual expectations.
The biggest question now is whether additional dates will follow.
Historically, Danzig has been selective about touring, which makes every announcement feel more significant than a standard road run.
For now, these September dates appear to be the only scheduled opportunities to see Danzig headline in the United States.
Given how infrequently those opportunities come around, that may be all the motivation many fans need.
What is the biggest reason you're interested in this tour?
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