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WHITESNAKE Members ALDRIDGE, HOEKSTRA, LUPPI, JELUSIĆ And MENDOZA To Perform As WHITESNAKE EXPERIENCE

A press conference was held last week in Belgrade, Serbia to announce the participants of the 58th Guitar Festival in Zaječar, scheduled to take place from August 28 to 30 at Kraljevica. The conference featured guests Marco Mendoza, Dino Jelusić (a.k.a. Dino Jelusick) and Ivan Keller, who announced an exclusive performance by the band WHITESNAKE EXPERIENCE BY THE MEMBERS OF WHITESNAKE — a project specially created for the Zaječar Guitar Festival. This will be the only concert in the world featuring members of the legendary band WHITESNAKE: drummer Tommy Aldridge, guitarist Joel Hoekstra, bassist Marco Mendoza, keyboardist Michele Luppi and the increasingly popular Croatian vocalist Dino Jelusić.

Mendoza emphasized that they chose to hold this unique global concert in Serbia, specifically in Zaječar, because they have always been warmly welcomed in the country and have sold out shows in Belgrade.

"Tradition and quality are very important to us, and the Guitar Festival, with its 58-year history, is something you must respect and cherish. Your audience is one of the best in the world, and I believe they will enjoy this performance with us," he said.

Dino added: "We're preparing a special setlist of WHITESNAKE's greatest hits. Singing the songs of my childhood idol David Coverdale is a special honor and pleasure for me. Although I've performed with big names in the rock world in the meantime, WHITESNAKE's songs suit me best, and playing with such a fantastic group of musicians is pure hedonism for me."

Coverdale gave his approval for this project, adding a special exclusivity to the Guitar Festival. As a result, a large number of visitors from Serbia and the region are expected.

In a November 2023 interview with Chris Akin Presents, Jelusić, who was enlisted by WHITESNAKE for its last European tour, was asked if there was any truth to the rumor that he was brought in to assist David Coverdale with the lead vocals on the trek. He responded: "Well, since there's no official statement on what everybody was guessing… And I was actually hearing a lot of stories from behind that I'm actually brought in to replace [David]. He never really officially asked me, but I heard from a very close person that he kind of was thinking about that. So I don't wanna say that it is like that 'cause I heard it from a close person, so I don't wanna state that.

"But, to me, WHITESNAKEisDavid Coverdale, and I would never wanna take that spot, to be honest with you," Dino continued. "I don't wanna be a little, young guy that sounds great singing David Coverdale songs. I am myself and I wanna do stuff myself. I wanna do it with my own songs.

"David CoverdaleisWHITESNAKE, and if the band should end because he wants to retire, the band should end because he wants to retire," Jelusić explained. "'Cause this way you can find somebody to replace Steven Tyler, somebody to replace Robert Plant, and the bands can just go on and on and on. I don't think that's the point.

"I sang a lot, obviously, live. If you came to see WHITESNAKE, you noticed — you could notice that. I sang 'Slide It In' half-half with him, and I covered a lot of ground, along with Michele [Luppi], the keyboard player. So there was a lot of work; it was a lot of work. And I enjoyed the tour. We had a great time with [European tourmates] FOREIGNER and EUROPE, both bands that I love. And, yeah, it was really cool."

Jelusić was previously a member of the multi-platinum-selling band TRANS-SIBERIAN ORCHESTRA and DIRTY SHIRLEY (with George Lynch),ANIMAL DRIVE and recorded with many others. Dino has been singing, touring and recording since the age of five. Other than being a frontman, his main instrument are keyboards but he also plays bass, guitar and drums. He finished music academy and did theater work.

When Jelusić's addition to WHITESNAKE was first announced in July 2021, David said in a statement: "I am absolutely delighted to welcome the extremely gifted Dino Jelusick to WHITESNAKE. We've had our eyes and ears on him since we played Zagreb together two years ago. You're going to love him!"

In October 2021, Coverdale spoke about Dino's addition to WHITESNAKE, telling Antihero Magazine: "He's going to be the way I have two guitar players.

"I've always seen WHITESNAKE as an orchestra," he explained. "I don't see it as a band-band. I don't want two guitarists playing exactly the same song, or just harmony guitars, I want two opposing… you've got the incendiary Joel Hoekstra, entirely different to the electrifying Reb Beach. And this is not to overwhelm Michele. Michele's totally secure. I adore him and what he brings to WHITESNAKE.

"In 2019, Dino's band opened for us in Zagreb, and this is very rare for me, and I went, 'Who the fuck is that?' And I was going, 'Wow, that kid's great.' And Joel said, 'Yeah, I worked with him in the TRANS-SIBERIAN ORCHESTRA. He's a great guy.' And I said, 'That guy's a 'Snake', dude.' And I said, 'Don't say anything yet. I'm going to keep my eyes and ears on him.'

"So, I think it's going to be fantastic," Coverdale added. "I'm going to have an orchestra of keyboards for a lot of songs on WHITESNAKE which are big epics, that make them even more musically orchestrated without having an orchestra on stage with us.

"I mean, the guy's great, I can't wait to sing with him. I already have [two] singers who are good enough to be frontman singers, with Michele Luppi and Reb Beach; they are really great singers. What's wrong with having another one? And I think he's a super guy… It's got to be exciting to me and adding another spice to an already good cocktail."

WHITESNAKE canceled several European shows in the summer of 2022 and pulled out of a North American tour with the SCORPIONS due to David's "continued treatment for a persistent upper respiratory infection."

In May 2023, Coverdale told Ultimate Classic Rock that the illness that forced him off the road in 2022 was "the worst sinus infection I've ever had in my life. And as a singer, I know them like fucking relatives of mine," Coverdale said. "This was one of the ugliest illnesses I think I've [ever] had. For seven months, I was taking ever-increasingly strong antibiotics and horrifying prednisone steroids."

WHITESNAKE launched its farewell tour on May 10, 2022 at Dublin, Ireland's 3Arena. The band's 14-song set, which was part of a European tour with special guests EUROPE and co-headliners FOREIGNER, marked WHITESNAKE's inaugural performance with the group's two latest two additions, Jelusić and bassist Tanya O'Callaghan.

Coverdale had both his knees replaced with titanium in 2017 after suffering from degenerative arthritis. He later explained that he was in so much pain with arthritis in his knees that it hampered his ability to perform live.

Prior to the pandemic, WHITESNAKE had been touring in support of its latest album, "Flesh & Blood", which was released in May 2019 via Frontiers Music Srl.

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Did SickSense Just Become A Completely Different Band?

SickSense isn’t exactly interested in staying in its lane—and the new Funerals EP makes that painfully obvious.

Vicky Psarakis opens up about the band’s darker musical direction, the surprisingly personal story behind A Moment of Violence, and why chasing whatever happens to be commercially popular can be a fast track to sounding like everybody else.

Then the conversation gets downright nasty when AI music enters the picture. Suno, Spotify, musicians skipping the hard work, endless AI-generated albums and the question nobody seems to want to answer: what happens to music when the humans stop being necessary?

Add a new North American tour and a completely DIY approach to keeping the band alive, and this interview goes a hell of a lot deeper than simply talking about a new EP.

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00:25:59
Does Asia Still Sound Like Asia? Harry Whitley Talks Indigo!

Walking into Asia as the new vocalist means stepping directly into the crosshairs of fans who know every note, every lyric and every inflection.

Harry Whitley doesn't shy away from that pressure. He talks about the John Wetton comparison, the challenge of performing the classic songs, and what changed when he finally got the chance to help create brand-new Asia music with Geoff Downes.

Then there's Indigo — the album that puts his own stamp on the band and forces the obvious question: can a new era of Asia actually satisfy fans who grew up with the classics?

Harry also gets into working with some seriously intimidating musicians, the band's chemistry behind the scenes, touring plans, fan reaction and why buying the music still matters in the streaming era.

There's a lot more going on here than just another new album interview.

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00:28:38
Why Did This Rocker Really Have A Meltdown In Japan? (2018 Archive)

When classic rock frontmen drop their guard, the real stories finally come spilling out. From the truth behind high-stakes reunion tours and backstage meltdowns to what really goes on when multi-million dollar bands hit the road, nothing is off-limits. Get ready for an unfiltered look at arena rock ego, ridiculous rider demands, and the shocking reality of why your favorite line-ups just can't stay together. You think you know the whole story behind the rock headlines? Think again.

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DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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Are Re-Recorded Classic Rock Albums A Total Scam? (2012 Archive)

When classic 80s bands lose the rights to their original master recordings, they usually run straight to the studio to re-record their biggest hits. But what happens when the new versions sound completely unmitigated, flat-out terrible? We listen to Loverboy’s re-recorded tracks side-by-side with the originals, and the drop in quality is mind-blowing. From shot vocal cords to completely lifeless guitar playing, why are bands putting out garbage like this, and does anyone actually buy these things?

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September 28, 2026

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Diamond Dave at it again. Pure insanity.

Why Are Galactic Cowboys Suddenly Relevant Again?

A new Galactic Cowboys album, an $88,000 Kickstarter, Pantera memories, Christian metal, aging rock bands and one hell of a debate about who actually counts as the real band. Monty Colvin doesn’t hold much back.

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Seth Show LIVE! 9/30/26: Why Is Local Media Completely Ignoring Real News?
Local media is failing, local radio is losing its grip, and nobody seems willing to call out the real issues hitting our streets.

Local media is failing, local radio is losing its grip, and nobody seems willing to call out the real issues hitting our streets. When the cameras stop rolling and the microphones go off, the real conversation starts. We dive headfirst into the decaying state of local broadcasting, why host accountability has vanished, and the hilarious reality of dealing with health chaos, off-air disasters, and absurd personal habits while trying to put on a show.

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“This Was Never In The Plan” — So Why Does Little Angels Have New Music All of a Sudden?
Little Angels did the one thing most hard rock bands never have the guts to do: they walked away on top. No. 1 album. Sold-out Royal Albert Hall farewell. Then silence. Now, 32 years later, they’re handing you five new songs and calling it a homecoming. That’s not a victory lap. That’s a dare.
 
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Here’s the reality: most reunion records exist because the calendar said so. Little Angels are claiming the opposite. The band says new music “was never in the plan.” Then the Big Bad & Back tour tickets started flying, rehearsals in Scarborough turned into jams, and suddenly Toby Jepson had songs. That’s either chemistry or a very convenient conversion.
 
They were not some forgotten club act dusting off a logo. This was Britain’s last true hair-metal champion class — 11 U.K. Top 40 singles, four hit albums, and Jam sitting at No. 1 in 1993 while they shared bills with Van Halen, Guns N’ Roses, Faith No More, ZZ Top, Aerosmith and Bon Jovi. Then they split in 1994. Grunge was eating the room. They didn’t wait to get embarrassing. They left.
 
That choice still splits rooms.
 
Some of you call it integrity. Some of you call it quitting. Both of you have been waiting three decades to be proven right.
 
The lineup that matters is back: Toby Jepson, guitarist Bruce Dickinson — their Bruce Dickinson, not the other one — Jim Dickinson, Mark Plunkett and Mark Richardson. That’s the Jam-era band. Not a hired-gun tribute with the original singer stapled on. The same five who made the records you actually bought.
 
They already had one “final” chapter. Funeral in 2008. Download 2012. Isle of Wight 2013. Bow. Exit. That was supposed to be it. Thirteen more years go by, and now they’re Big, Bad & Back for a sold-out U.K. and Ireland run with Thunder’s Luke Morley opening. Manchester, Leeds, Nottingham, Wolverhampton, Shepherd’s Bush — gone. Demand did the talking before a single new note existed.
Then the EP showed up.
 
Big Bad & Back lands November 6. Five tracks: All For One, Hero (That Was Then, This Is Now), Small Town Boys, You Want Love, Raised To The Ground. First new Little Angels music since 1994. The lead single is already out, and the title is doing a lot of work. That Was Then, This Is Now is either honest or a warning label.
 
 
Jepson isn’t pretending they’re 22.
 
“Lyrically, the challenge was always going to be, how do you take what Little Angels represented back then and bring it into the modern world with guys that are now in their mid-50s?” he said. “This wasn’t about youth anymore — of course not; it’s about reflecting on where we had come from, and the kind of people we are now… this is about returning home.”
 
That’s the line that will divide this audience.
 
If you wanted Young Gods with extra wrinkles, you’re going to hate that quote. If you wanted grown men who still know how to write a chorus, that’s the only quote that matters.
 
They tracked it the old way — in a room, live, Chapel Studios in Lincolnshire after hometown rehearsals — then shipped the tapes to Vancouver for Mike Fraser. That’s not a random name. Fraser mixed Aerosmith’s Permanent Vacation and Pump. Little Angels mixed Jam at Little Mountain, the same city, the same era, the same muscle-car sheen. Little Mountain is gone. Fraser isn’t. They told him to chase that spirit on purpose.
 
So no — this is not some laptop reunion slapped together between radio shifts.
 
 
But let’s not get cute. An EP is not an album. Five songs after 32 years is a test balloon, not a manifesto. They said they would never make a new record unless they still had something to say. Fine. Then say it for more than twenty minutes, or admit the tour was the product and the EP is the merch table.
 
Drop your take in the comments. Don’t hide behind “I’ll wait to hear it.” You already know how you feel about bands that leave at the peak and come back when the rooms are full again.
 
What happens next is the only part that counts. November 6, the EP hits. November 9, Dublin starts the run. If Hero is a one-off sugar rush, this dies as a sold-out nostalgia circuit. If those five tracks have the old cocky snap — the Don’t Prey For Me / Young Gods / Jam snap — then every band that overstayed the ‘90s owes Little Angels an apology for quitting too late.
 
They left you hanging after the Royal Albert Hall. They’re asking you to come home now. That’s a hell of a request.
 
Don’t lurk. Pick a side.
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Is Modern Heavy Metal Ruining Its Own Identity?

The metal scene is bigger than ever, but something behind the scenes is getting stripped away. Everyone claims they want heavier music, but the second a band takes a real risk, the internet turns on them. Is the pressure to look cool online completely killing actual musicianship?

 

 

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We sit down with Jake Luhrs of August Burns Red to tear into modern studio gimmicks, vocal coaches, and why trying to stay "normal" in this business is a trap.

 

 

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