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Following the announcement of their 15th studio album Borderland, Finnish metal icons AMORPHIS release the first single from their forthcoming opus today. "Light And Shadow," which can also be interpreted as a metaphor of the album title in the sense of counter-play between two parties close to each other, wins over listeners right away with an uplifting piano intro, enriched by an electronic sound tapestry. As the song unfolds, it transforms into a driving, mythic anthem of self-discovery, a powerful reminder of why AMORPHIS remain unrivalled in crafting melancholic majesty.
Santeri Kallio, who wrote the music, adds: “I threw my brain into the closet and went with the flow - without stressing about opinions. I didn’t want to repeat the old nor copy what we’ve already done before. When I heard Tomi’s final vocal parts, I realised that ‘Light And Shadow’ would be the perfect introduction to our new album!”
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This week, The Big Guy with the Big Show, The Lord, Nelson That Is, goes all in with To Fight For—a no-bullshit band blazing their own path with heavy grooves, spiritual grit, and real-world passion. No flash. No gimmicks. Just music that HITS.
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In this edition of CHRIS AKIN PRESENTS... NEWS, Chris weighs in on Sevendust's upcoming 21st-anniversary celebration of their acoustic album, Southside Double-Wide: Acoustic Live. He poses a thought-provoking question: are these anniversary tours genuine milestones, or simply a modern necessity for bands to maintain a touring presence? Chris offers his perspective on this growing trend in the music industry.
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Sevendust, acoustic album, Southside Double-Wide, anniversary tour, music business, band strategy, live music, music commentary, Chris Akin Presents
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Seth and Chris dive into the fake outrage surrounding comedian Shane Gillis's ESPYs appearance. They'll expose the "delusional" WNBA players demanding more money and tackle other hot topics. Seth shares a personal story about an online argument that crossed the line, dragging his family into it. Finally, they close out with Donald Trump's surprising support for the Cleveland Indians and Washington Redskins reinstating their original names.
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Think you can handle the truth? The Lord welcomes The Real Russell from FREAKAPOTAMUS Podcast for an explosive discussion filled with electrifying energy and no-holds-barred candor. Get ready for a power-chord performance of insights.
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On this episode of THE CLASSIC METAL SHOW, Neeley and Chris shred the ridiculous news that Slash (with Myles Kennedy & The Conspirators) is announcing a new album set for release in 2027—more than 15 months out! The guys also review Whitesnake’s questionable “remastered” release of Forevermore, an album that flopped and wasn’t even that old. Finally, they crank up Testament’s crushing new track, Infanticide A.I., and deliver their uncensored takes.
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Derek Davis of Babylon A.D. joins Chris Akin for a no-BS breakdown of why 2025 is the year WHEN THE WORLD STOPS puts real rock back on the map. He dives into the creative fire behind the new album, how grunge killed 80s metal, and why he HATES the label “Hair Metal.” Davis isn’t holding back—this is the comeback conversation fans of real hard rock have been waiting for.
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Richard Black had the moves, the voice, the stage presence.
🔥 Law of the Order was as good as anything from Ratt or Crüe.
So why did the world sleep on them?
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Gene Hoglan’s drumming + Don Doty’s madness = untouchable.
⚡ This is thrash intensity at its peak.
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