Death metal legends CANNIBAL CORPSE are pleased to welcome Full Of Hell to their previously announced US headlining tour this Fall. The trek begins on September 15th in Nashville, Tennessee and makes its way through over two dozen cities, the tour drawing to a close on October 22nd in Charlotte, North Carolina. Additional support will be provided by Municipal Waste and Fulci.
Tickets are on sale now at cannibalcorpse.net. See all confirmed dates below.
CANNIBAL CORPSE w/ Municipal Waste, Full Of Hell, Fulci:
9/15/2025 Marathon Music Works – Nashville, TN
9/17/2025 The Mill & Mine – Knoxville, TN
9/18/2025 Louder Than Life – Louisville, KY
9/19/2025 Roxian Theatre – Pittsburgh, PA
9/20/2025 NE Metal and Hardcore Fest – Worcester, MA
9/22/2025 Buffalo RiverWorks – Buffalo, NY
9/23/2025 Agora Theater – Cleveland, OH
9/24/2025 The Intersection – Grand Rapids, MI
9/26/2025 The Rave – Milwaukee, WI
9/27/2025 Epic Event Center - Green Bay, WI
9/28/2025 First Ave – Minneapolis, MN
9/29/2025 The Truman – Kansas City, MO
9/30/2025 Diamond Ballroom – Oklahoma City, OK
10/02/2025 Van Buren – Phoenix, AZ
10/03/2025 Ventura Theater – Ventura, CA
10/04/2025 House Of Blues – Anaheim, CA
10/05/2025 Soma – San Diego, CA
10/07/2025 Rialto Theater – Tucson, AZ
10/09/2025 The Aztec Theatre – San Antonio, TX
10/10/2025 House Of Blues – Houston, TX
10/11/2025 The Hall – Little Rock, AR
10/12/2025 Mars Music Hall – Huntsville, AL
10/14/2025 The Ritz – Raleigh, NC
10/15/2025 The National – Richmond, VA
10/17/2025 The Paramount – Huntington, NY
10/18/2025 Starland Ballroom – Sayreville, NJ
10/19/2025 The Fillmore – Silver Spring, MD
10/21/2025 The Norva – Norfolk, VA
10/22/2025 The Fillmore – Charlotte, NC
CANNIBAL CORPSE released their critically lauded Chaos Horrific full-length in 2023 via Metal Blade Records. Produced again by guitarist Erik Rutan, who has now produced six of the band’s albums, Chaos Horrific is, without question, a full-on, CANNIBAL-style death metal outing, straight down to the themes, which include zombie warfare, resetting the human race through mass mutilations, and the violent revenge of victims of human trafficking, and its cover art by longtime collaborator Vince Locke. Wrote Decibel Magazine upon its release, “Chaos Horrific manages to be easily digestible while also being honeycombed with nuance and is a nearly perfect record.” Revolver concurred noting, “They’re one of the hardest working bands in the game, their sound has never gotten a drop less brutal, and their coolness factor has never waned.” Added Metal Hammer, “This band is an imperious, tweaked-to-perfection wrecking machine at this point.”
Chaos Horrific slaughtered Billboard charts upon its first week of release, earning the #7 position on the Billboard Album Sales chart, #2 on the Hard Music Albums chart, #3 on the Rock Albums chart, #5 on the Independent Label Albums chart, and more!
The record is available on digipak CD, cassette, and digital formats as well as vinyl in multiple limited color variants.
Secure your copy today at the CANNIBAL CORPSE store at: cannibalcorpse.store and Metal Blade at: metalblade.com/cannibalcorpse.
This week, The Big Guy with the Big Show, The Lord, Nelson That Is, goes all in with To Fight For—a no-bullshit band blazing their own path with heavy grooves, spiritual grit, and real-world passion. No flash. No gimmicks. Just music that HITS.
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In this edition of CHRIS AKIN PRESENTS... NEWS, Chris weighs in on Sevendust's upcoming 21st-anniversary celebration of their acoustic album, Southside Double-Wide: Acoustic Live. He poses a thought-provoking question: are these anniversary tours genuine milestones, or simply a modern necessity for bands to maintain a touring presence? Chris offers his perspective on this growing trend in the music industry.
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Sevendust, acoustic album, Southside Double-Wide, anniversary tour, music business, band strategy, live music, music commentary, Chris Akin Presents
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Seth and Chris dive into the fake outrage surrounding comedian Shane Gillis's ESPYs appearance. They'll expose the "delusional" WNBA players demanding more money and tackle other hot topics. Seth shares a personal story about an online argument that crossed the line, dragging his family into it. Finally, they close out with Donald Trump's surprising support for the Cleveland Indians and Washington Redskins reinstating their original names.
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On this episode of THE CLASSIC METAL SHOW, Neeley and Chris shred the ridiculous news that Slash (with Myles Kennedy & The Conspirators) is announcing a new album set for release in 2027—more than 15 months out! The guys also review Whitesnake’s questionable “remastered” release of Forevermore, an album that flopped and wasn’t even that old. Finally, they crank up Testament’s crushing new track, Infanticide A.I., and deliver their uncensored takes.
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Derek Davis of Babylon A.D. joins Chris Akin for a no-BS breakdown of why 2025 is the year WHEN THE WORLD STOPS puts real rock back on the map. He dives into the creative fire behind the new album, how grunge killed 80s metal, and why he HATES the label “Hair Metal.” Davis isn’t holding back—this is the comeback conversation fans of real hard rock have been waiting for.
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What happens when a spider bite leads to a $4,000 bill? Chris and Seth go off on hospital madness, scooter negotiations, parenting headaches, and sleepless nights. It’s raw, real, and hilarious—packed with rants about life, money, and everything in between.
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Richard Black had the moves, the voice, the stage presence.
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Yes, ANY.
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