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Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.
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02:15 - The Titans...
Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.
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Special Guest Don Jamieson: The comedy vet discusses being the final national headliner at the Funny Stop.
The Death of Local Comedy: Don Jamieson breaks down the reality of closing iconic rooms.
The "Gateway Band" Theory: Don and the guys debate how to indoctrinate friends into ...
Vinnie Appice reveals the "drum machine" drama behind Black Sabbath's final studio album with Dio. Lawsuits, legends, and loud drums. Watch now! #Metal #Sabbath
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Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
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What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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... and one of the absolute best EVER!!
https://centurymedia.bandcamp.com/album/city-remastered-demo-versions
Let’s stop pretending this is normal—this situation with King Diamond’s long-promised new album has crossed from “anticipated” into straight-up frustrating. And now, hearing Andy La Rocque openly admit he’s still waiting on songs? That’s the breaking point.
If the guitarist himself doesn’t have the material, what exactly is going on behind the scenes?
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La Rocque didn’t sugarcoat it. He’s waiting for King Diamond to finish writing. Not tweaking. Not polishing. Writing.
That’s not a delay—that’s a project that hasn’t even fully started.
Here’s the reality: fans have been hearing about this album for years. Teases, hints, even partial track mentions—but nothing concrete. And now we find out one of the core creative forces hasn’t even received the songs yet?
That’s not hype anymore. That’s stagnation.
King Diamond is a perfectionist. That’s always been part of the appeal. But there’s a fine line between perfectionism and paralysis—and this feels a lot like the latter.
We’re not talking about a newcomer figuring things out. This is a legend with decades of experience, a clear vision, and a loyal fanbase that’s been hanging on every update.
So what’s the holdup?
Because from the outside, this doesn’t look like “crafting a masterpiece.” It looks like a project stuck in limbo.
There’s only so long you can ride goodwill. And King Diamond has had a LOT of it.
But even diehards are starting to question:
And that’s the dangerous part.
Once fans emotionally check out, it’s almost impossible to get them fully back.
This situation hits deeper than just a delayed release.
It raises a bigger question about legacy.
King Diamond isn’t just another band—he’s a pillar of heavy metal history. Every release matters. Every delay chips away at that momentum.
And if this album eventually drops after YEARS of buildup?
It better be flawless. Because anything less will feel like a letdown after this kind of wait.
That’s the real question—and right now, nobody seems to have a clear answer.
If La Rocque is still waiting, the timeline isn’t just unclear… it’s nonexistent.
And fans? They’re stuck in the same place they’ve been for years:
Waiting.
At this point, this isn’t anticipation anymore—it’s a test of loyalty.
And not everyone is going to keep passing it.
Is King Diamond justified in taking this long, or has this delay gone too far?
POLL:
Black Sabbath legend Vinnie Appice isn’t holding back on the reality of the Ronnie James Dio era. From the “illegal” nature of the band’s name to the sterile, “tame” recording sessions that nearly derailed their final studio masterpiece, Vinnie exposes why the stage was the only place the band felt alive. Discover the secret “drum machine” demos that pissed him off and why fans will always call it Black Sabbath, no matter what the lawyers say.
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- The “Black Sabbath” Name Trap and Legal Realities
- Why The Devil You Know Lacked That Classic Sabbath Power
- The Drum Machine Insult: Vinnie’s Studio Frustration
- “Bible Black” and the Evolution of Modern Sabbath Classics
- From Wales to the Stage: How the Songs Changed After the Studio
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Saturday Night Live: THE CLASSIC METAL SHOW is Live Saturdays 9pm-3am EST on Rumble/Locals.
The "Jersey Brotherhood" is officially a myth. In this episode, we dissect the absolute absurdity of Trickster’s Steve Brown trying to play "vocal doctor" to a guy who has sold 150 million records and clearly doesn't want his help. It’s a tragicomedy of errors: Brown is out here claiming to be a "friend" while admits he had to hunt down a third-party email just to get ignored by Jon’s team.
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But the real story isn't the social climbing—it's the Bon Jovi Forever Tour 2026. After the disastrous Tony Robbins footage, the camp is still moving forward with a Madison Square Garden residency. We’re calling it now: The vocals will be 100% tracked. If you’re paying $500 to $2,000 for a ticket, you aren't paying for a legendary singer; you’re paying for a high-priced karaoke simulation. We also tackle the "least news-worthy" news in rock history: Kansas making a public spectacle out of their monitor engineer quitting. Since when do we write press releases for the guy who sets up the sandwiches? It’s a sign of the times—the industry is so desperate for "content" that they’ve forgotten what actually matters: the music and the truth.
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