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Why Nazareth’s Pete Agnew Thinks the Internet is KILLING Rock and Roll
You’re listening to last week’s news—our VIPs already finished this episode commercial-free seven days ago. Stop waiting in line and get instant access to every show, advance interviews, and exclusive bonus content for just $4.99 at https://classicmetalshow.locals.com.
Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.
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ON THIS EPISODE:
02:15 - The Titans...
00:26:16
Why is Don Jamieson the Last National Act to Play This Iconic Club?
Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.
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Featured On This Episode:
Special Guest Don Jamieson: The comedy vet discusses being the final national headliner at the Funny Stop.
The Death of Local Comedy: Don Jamieson breaks down the reality of closing iconic rooms.
The "Gateway Band" Theory: Don and the guys debate how to indoctrinate friends into ...
01:04:08
Don't Wait For Our GREAT Chat with Heaven & Hell's Vinny Appice!
Vinnie Appice reveals the "drum machine" drama behind Black Sabbath's final studio album with Dio. Lawsuits, legends, and loud drums. Watch now! #Metal #Sabbath
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FULL EPISODE: https://classicmetalshow.locals.com/post/7797752/black-sabbath-vs-heaven-hell-the-truth-about-why-they-switched-names-vip
00:00:26
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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BUY CHRIS AKIN'S BEST BOOKS HERE:
Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By ...
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
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Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4
Little Victories by Chris Akin - https://amzn.to/43A143y
...AND OTHER THINGS I SHOULD NOT SAY... By Chris Akin - https://amzn.to/3SRP3Bq
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LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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BUY CHRIS AKIN'S BEST BOOKS HERE:
Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By Chris ...
The Death of the "Cool" Frontman?
We’ve all seen it: the slow, agonizing transition from rock god to social media liability. This week, we dive headfirst into the fallout from the Monsters of Rock Cruise, where Ted Poley (Danger Danger) decided to go nuclear on Sebastian Bach. In a Facebook rant that felt more like a "scorned fan" Yelp review than a peer-to-peer disagreement, Poley claimed Bach was a "washed-up drunk" who nearly attacked him for simply saying hello.
KILLER PRICE FOR DANGER DANGER'S S/T RELEASE ON VINYL: https://amzn.to/3Qi6Zr6
But then, the inevitable happened. Within 24 hours, the post was scrubbed and replaced with a groveling, "vulnerable" apology that reeked of a promoter-enforced muzzle. Is Bach actually the monster Poley described, or was this a calculated "Metal Sludge" provocation gone wrong?
ANOTHER GREAT PRICE FOR SEBASTIAN BACH'S CHILD WITHIN THE MAN ON VINYL: https://amzn.to/3OOHKvW
Speaking of car wrecks, we also dissect the launch of David Lee Roth’s 2026 tour. Dave has returned to the stage with a "Ghetto Gang" backup choir and our buddy Sean McNabb on bass, but even a world-class band can’t hide the "cancer" of Roth’s current vocal state. From spoken-word versions of "Ice Cream Man" to vocal gymnastics that sound more like a cry for help than a concert, we ask the hard question: Why does the industry keep pretending this is a "legendary" performance? It’s a brutal look at the thin line between nostalgia and embarrassment.
What Roger Earl Sniffed in a $300 Bottle of Wine Before Snatching it Back
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ABOUT THIS EPISODE
GET FOGHAT'S GREATEST HITS ON VINYL: https://amzn.to/4s7vN1V
Roger Earl has seen it all—from the military bases of South Korea to the top of the Billboard Blues charts at an age when most people are picking out retirement homes. In this sit-down, he reveals the “bang” behind “Slow Ride,” why he’ll never stop drumming until he drops, and a hilarious story about a $300 bottle of wine that’ll make you question every waiter you’ve ever had. Don’t miss the truth about the Titans of Classic Rock tour.
ON THIS EPISODE
- The “Titans of Classic Rock” Tour Strategy
- Playing for the Troops: From Japan to South Korea
- 60 Years Behind the Kit: What Drives a Legend?
- The Birth of “Slow Ride” and the “Bang” Arrangement
- The Infamous 1961 Chateau Lafite Rothschild Incident
THE CAP MALL
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Why Carmine Appice Refuses to Let Spotify Profit Off His Legacy
This isn’t nostalgia—this is a takedown.
Carmine Appice just torched the entire streaming economy and didn’t blink.
What he reveals about money, control, and fake musicians will piss people off—and it should.
https://classicmetalshow.locals.com
He’s not playing the game anymore. Not the playlists. Not the fractions of pennies. Not the illusion that “exposure” pays bills. Carmine lays it out raw: the system isn’t broken—it’s designed to bleed artists dry while executives and platforms cash out.
And while the industry pushes algorithm-friendly clones, Carmine’s building records the old way—real drums, real rooms, real sweat. Backyard studio? Yeah. But that “backyard” is producing more authentic music than 90% of what’s getting force-fed through your headphones.
Then comes the kill shot: YouTube drummers.
The masks. The gimmicks. The clickbait chops. Carmine doesn’t just dismiss them—he calls them out as a distraction from what actually matters: feel, groove, identity. Not perfection. Not edits. Not hiding behind costumes.
And “Temple of Blues 2”? That’s not just another release—it’s a statement. A refusal to conform. A middle finger to an industry that forgot what music is supposed to feel like.
This isn’t a conversation.
It’s a warning.
Snarky Segments
STREAMING FAIRYTALE GETS DESTROYED
Yeah, keep telling yourself those fractions of pennies add up. Carmine just crushed that fantasy.
BACKYARD > BILLION-DOLLAR STUDIOS
Turns out passion beats corporate polish. Who knew?
YOUTUBE DRUMMERS EXPOSED
If your identity is a mask and edits, you’re not a musician—you’re content.
TEMPLE OF BLUES 2 = NO COMPROMISE
While others chase trends, this record drags authenticity back into the room.
INDUSTRY PARASITES CALLED OUT
Executives love “new models” when they’re the only ones getting rich.
🔥 ONLY REAL FANS STEP UP — CASUALS SCROLL PAST 🔥
If you actually give a damn about music—not just consuming it like background noise—this is where you prove it.
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This is what REAL legacy sounds like. If you don’t own this, you’re not serious.
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Before the polish. Before the dilution. This is peak power—period.
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Collectors already grabbed this. If you’re late, that’s on you.
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Not for casual drinkers. This is for people who actually LIVE this music.
📖 Cause & Effect: Metallica – https://cstu.io/7b07b2
Most fans don’t understand Metallica. This separates the real ones from the posers.
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