This week, The Big Guy with the Big Show, The Lord, Nelson That Is, goes all in with To Fight For—a no-bullshit band blazing their own path with heavy grooves, spiritual grit, and real-world passion. No flash. No gimmicks. Just music that HITS.

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In this edition of CHRIS AKIN PRESENTS... NEWS, Chris weighs in on Sevendust's upcoming 21st-anniversary celebration of their acoustic album, Southside Double-Wide: Acoustic Live. He poses a thought-provoking question: are these anniversary tours genuine milestones, or simply a modern necessity for bands to maintain a touring presence? Chris offers his perspective on this growing trend in the music industry.

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Sevendust, acoustic album, Southside Double-Wide, anniversary tour, music business, band strategy, live music, music commentary, Chris Akin Presents

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Seth and Chris dive into the fake outrage surrounding comedian Shane Gillis's ESPYs appearance. They'll expose the "delusional" WNBA players demanding more money and tackle other hot topics. Seth shares a personal story about an online argument that crossed the line, dragging his family into it. Finally, they close out with Donald Trump's surprising support for the Cleveland Indians and Washington Redskins reinstating their original names.

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Can extreme metal still shock like the wildest 80s thrash? Dallas Toler-Wade talks Nile, Narcotic Wasteland’s tour, and why the new full-length is coming. Subscribe and become a Substack VIP for exclusive episodes, early releases, and contests. Hail and Kill!

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On this episode of THE CLASSIC METAL SHOW, Neeley and Chris rip into some jaw-dropping documentaries—Devo’s quirky rise, Ted Bundy’s horrifying legacy, and how Genesis exploded after Phil Collins took the mic. Neeley even drops a shocking family connection to INXS! No fluff, no filters, just raw commentary the way YOU want it.

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When an artist admits his tour is canceled due to poor ticket sales, you almost want to give him credit. But once Neeley and Chris hit play on JP Saxe’s music, all bets are off! What follows is a merciless, hilarious, and brutally honest destruction of his sugary pop garbage. This is what uncensored comedy sounds like when metal guys give pop a listen.
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