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‘MEGADETH’: THE LEGENDARY BAND’S SELF-TITLED FINAL STUDIO ALBUM EXPLODES ONTO THE CHARTS AT 1 IN THE U.S. ON THE ALL-GENRE BILLBOARD 200 CHART

MEGADETH have good reason to celebrate. The Grammy Award-winning and multi-platinum metal titans’ self-titled final studio album—released last week (January 23) to worldwide critical acclaim—has exploded onto the charts at #1 on the Billboard 200 in their native U.S. (highest previous position #2). This debut also marks the band’s 9th Billboard Top 200 album.

The band also claims the top spot in Australia (highest previous position #2) and Austria (highest previous position #8). Other top five spots include #2 in Finland (+ #1 physical), Sweden (+ #1 physical; highest previous position #9), and Belgium (highest previous position: #6); #3 in both the U.K. and Germany (highest previous position: #6); #4 in the Netherlands (highest previous position: #7); and #5 in both Italy (highest previous position: #15) and New Zealand (highest chart position ever). Debuts in additional territories are still being compiled at press time.

“After 40 years of delivering Megadeth music, playing shows around the world, I have nothing but gratitude at this moment. Finding out that our last Megadeth record is also our first #1 only further validates my will to go out on top,” says Dave Mustaine, vocalist, guitarist, songwriter, and producer. “Thank you to my family, Teemu Mantasaari, James LoMenzo, and Dirk Verbueren, and Chris Rakestraw, all our fans for making this possible, without you Megadeth would not be as successful as we are. I’d also like to thank the people behind the scenes, our management, Danny Nozell, Justis Mustaine, and Steve Ross at CTK, and our label BLKIIBLK/Tradecraft.”

“This recording is a labour of love, and I hope you enjoy this as much as we do. See you on tour soon!” - Dave Mustaine

“Absolutely amazing news! Thank you and congrats to our entire extended Megadeth family!” - Teemu Mäntysaari

“I want to sincerely thank all our friends and fans who grabbed a copy, we’re over the moon!” - James LoMenzo

“It feels unbelievable to sit atop the charts with an album that’s uncompromisingly Megadeth. Huge thanks to all of you who support us- you made this happen! See you on tour!” - Dirk Verbeuren

“This moment represents the culmination of the trust Dave and the Megadeth team placed in our label, BLKIIBLK/Frontiers Label Group, to deliver these results,” says Jeff Stevenson, General Manager, Frontiers Label Group. “As our label and its owner, Serafino Perugino, celebrates its 30th anniversary in 2026, the timing felt right to proudly partner in this next chapter with a band that has shaped music history since its formation in 1983.”

Tom Lipsky, A&R USA, Frontiers Label Group, adds, “This achievement is a testament to the relationship that Dave Mustaine and Megadeth have built with fans over the course of their career.”

“The impact Megadeth has made on music has forever been cemented. And, now with this long overdue #1 all-genre album, the band is going out on top” says Danny Nozell, Megadeth’s manager and Founder/CEO of CTK Enterprises. “I am so proud of Justis Mustaine, Steve Ross, and the entire CTK team, our RESULTS GLOBAL marketing team, SRO PR, and our partners at BLKIIBLK/Frontiers Label Group and The Orchard for bringing this project to life.”

Leading up to the new album (out via DAVE MUSTAINE’s Tradecraft imprint in partnership with Frontiers Label Group’s new BLKIIBLK label), MEGADETH—Mustaine, Teemu Mäntysaari (Lead, Rhythm, and Acoustic Guitars), James LoMenzo (Bass Guitar) and Dirk Verbeuren (Drums)—have released four singles: “Puppet Parade,” “Let There Be Shred!”, “I Don’t Care,” and “Tipping Point.” MEGADETH also announced a very special bonus track from the album: a reimagined version of “Ride The Lightning,” which MUSTAINE co-wrote with Metallica’s James Hetfield, Cliff Burton, and Lars Ulrich and was the title track from the group’s 1984 album.

Up next for MEGADETH, they’ll kick off their farewell tour in North America with a cross-country headlining tour of Canada launching February 15 in Victoria, BC including stops in Calgary, Winnipeg, and Ottawa before wrapping March 6 in Quebec City, QC.

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Why Did This Rocker Really Have A Meltdown In Japan? (2018 Archive)

When classic rock frontmen drop their guard, the real stories finally come spilling out. From the truth behind high-stakes reunion tours and backstage meltdowns to what really goes on when multi-million dollar bands hit the road, nothing is off-limits. Get ready for an unfiltered look at arena rock ego, ridiculous rider demands, and the shocking reality of why your favorite line-ups just can't stay together. You think you know the whole story behind the rock headlines? Think again.

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01:15:58
The Top 5 John Corabi Fronted Albums!

Vince Neil got the boot, a new powerhouse stepped up, and Mötley Crüe dropped an absolute monster of an album... that almost everybody ignored. But the story doesn't end there. The mastermind behind that forgotten era has a stacked discography full of heavy, blues-infused bangers that put most mainstream rock to shame. We are breaking down the absolute best records from one of hard rock's ultimate journeymen—including a controversial #1 pick that is going to make old-school purists lose their minds.

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00:16:33
Union Pacific Big Boy 4014 Knox Indiana

For those rail fans who are interested, here is a video of the UP Big Boy 4014 departing from Knox Indiana. Enjoy!

00:05:26
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
Show Notes For 9/19/26

All,

Neeley will be out with Dokken this weekend, but I'm going to do something rare... I'm going to do an "Off" show. My buddy Matt Hartnett from the HART O' THE MATTER podcast (who I did Aftershocks with for years) will be cohosting with me.

Comedian, friend and the holder of the #1 comedy album in the country, Jim Florentine will be hanging for awhile to talk about his new release, his new comedy special JERSEY TRASH, and all things metal.

Also jumping in will be another friend, Galactic Cowboys bassist Monty Colvin. After 7 years, GC is back with a new release called WHAT PLANET ARE YOU FROM?, plus Monty has a really fun podcast simply called MONTY'S ROCKCAST.

It's going to be fun.

Some notes though. This will be a RUMBLE ONLY show (both music and talking segments). So if you aren't a CMS Rumbler, get there. I'm not gonna lie... it's bound to be a bit sloppy, but we'll get it done.

Also, I'll be taking questions from the chat for Jim and Monty, so start thinking them up if ...

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CMS Playlist 9/19/26

Plush - Animalistic
Anthrax - Cursum Perficio
Amorphis - The Lantern
Slayer - Seasons In The Abyss
Iron Maiden - The Reincarnation Of Benjamin Breeg
Galactic Cowboys - I'm Not Amused
Megadeth - Post American World
Biohazard - Fuck The System
Pantera - 5 Minutes Alone
Metal Church - FAFO
Sepultura - Bullet The Blue Sky
Harlott - The Pentinent
Metallica - Now That We're Dead
Havok - The Ultimate Weapon
Ozzy - The Ultimate Sin
Divine Heresy - Failed Creation

PLAYLIST:

THE CLASSIC METAL SHOW LIVE: 9/19/26

Neeley is off chasing Dokken, which means Chris Akin gets to do something he rarely gets to do — run a LIVE Classic Metal Show "off" show.

DON'T WAIT! TERRORIZING TELEMARKETERS VOL. 8 IS AVAILABLE NOW: https://amzn.to/4iDjUjk

And this one has the potential to get completely out of hand.

Joining Chris is Hart O The Matter host Matt Hartnett, along with comedian Jim Florentine and Galactic Cowboys bassist Monty Colvin.

Florentine comes in with plenty to talk about, including his new comedy special JERSEY TRASH and TERRORIZING TELEMARKETERS VOL. 8, his comedy album with Don Jamieson that is currently sitting at #1.

Then there's Monty Colvin, who has the new Galactic Cowboys release WHAT PLANET ARE YOU FROM? coming up, plus his MONTY'S ROCKCAST podcast.

With this collection of personalities in one room, the real question isn't whether things will get weird.

It's how weird they're ...

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Is Modern Heavy Metal Ruining Its Own Identity?

The metal scene is bigger than ever, but something behind the scenes is getting stripped away. Everyone claims they want heavier music, but the second a band takes a real risk, the internet turns on them. Is the pressure to look cool online completely killing actual musicianship?

 

 

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We sit down with Jake Luhrs of August Burns Red to tear into modern studio gimmicks, vocal coaches, and why trying to stay "normal" in this business is a trap.

 

 

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

 

 

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Were These Mob Rules Songs TOO GOOD To Leave Off The Album?

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Sometimes the songs that don't make the album end up being the ones everyone talks about.

 

 

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Mob Rules guitarist Sven Ludke joins Chris Akin to explain how *Stories from the Verdant Vale* went from a handful of leftover ideas into a full-blown release. Along the way they get into concept albums, writing without overthinking everything, why some great songs never fit the story, working with powerhouse vocalist Klaus Dirks, and even how Udo Dirkschneider unexpectedly ended up on one of their recordings.

 

 

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If you've ever wondered what really happens behind the scenes when a metal band decides what makes an album—and what doesn't—this conversation pulls back the curtain.

 

 

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

 

 

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Is Hollywood Too Old?

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Why are some of the biggest icons in movie history completely torching their own filmographies? From Sylvester Stallone getting roasted for a zero-percent Rotten Tomatoes disaster to Al Pacino churning out direct-to-garbage streaming flicks, we break down why Hollywood's biggest names refuse to walk away. Is it pure greed, massive ego, or do these guys just have no idea how to stop? We tear into their absolute worst modern flops, why nobody wants to watch an 80-year-old action hero, and the unhinged celebrity social media posts that prove some of these stars have officially lost their minds.

 

 

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

 

 

 

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