SickSense isn’t exactly interested in staying in its lane—and the new Funerals EP makes that painfully obvious.
Vicky Psarakis opens up about the band’s darker musical direction, the surprisingly personal story behind A Moment of Violence, and why chasing whatever happens to be commercially popular can be a fast track to sounding like everybody else.
Then the conversation gets downright nasty when AI music enters the picture. Suno, Spotify, musicians skipping the hard work, endless AI-generated albums and the question nobody seems to want to answer: what happens to music when the humans stop being necessary?
Add a new North American tour and a completely DIY approach to keeping the band alive, and this interview goes a hell of a lot deeper than simply talking about a new EP.
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Walking into Asia as the new vocalist means stepping directly into the crosshairs of fans who know every note, every lyric and every inflection.
Harry Whitley doesn't shy away from that pressure. He talks about the John Wetton comparison, the challenge of performing the classic songs, and what changed when he finally got the chance to help create brand-new Asia music with Geoff Downes.
Then there's Indigo — the album that puts his own stamp on the band and forces the obvious question: can a new era of Asia actually satisfy fans who grew up with the classics?
Harry also gets into working with some seriously intimidating musicians, the band's chemistry behind the scenes, touring plans, fan reaction and why buying the music still matters in the streaming era.
There's a lot more going on here than just another new album interview.
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When classic rock frontmen drop their guard, the real stories finally come spilling out. From the truth behind high-stakes reunion tours and backstage meltdowns to what really goes on when multi-million dollar bands hit the road, nothing is off-limits. Get ready for an unfiltered look at arena rock ego, ridiculous rider demands, and the shocking reality of why your favorite line-ups just can't stay together. You think you know the whole story behind the rock headlines? Think again.
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Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
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What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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1. Hair Of The Dog - Southern Cock
2. New American Shame - Broken Bones
3. Helloween - The King For A 1000 Years
4. Metallica - All Nightmare Long
5. Testament - Disciples Of The Watch
6. TUFF - God Bless This Mess
7. Quiet Riot - Stay With Me Tonight
8. Y&T - In The Name of Rock
9. King Kobra - Ready To Strike
10. Wildside - Hang on Lucy
11. Flotsam and Jetsam - Lucky Day
12. Villain - Kamikaze
13. Queensryche - Take Hold of the Flame
14. Judas Priest - The Ripper
15. Dio - One Night In The City
16. Foghat - Don't Run Me Down
17. Tesla - She Want, She Want
18. Stephen Pearcy - Summers End
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Quiet Riot is back at it again with yet another new frontman, but at this point, is there even a brand left to save—or did John Torra just strap himself to a sinking ship? Neeley and Chris Akin tear into the debut, what it means for the band's seemingly non-existent momentum, and whether Torra just tanked his future in the music business. Plus, Sebastian Bach is back on his soapbox whining about autographs and AI, 40 years since the rock world lost Cliff Burton, and the latest happenings surrounding Anthrax, Motley Crue, and David Lee Roth.
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Hollywood is about to get a new corporate name attached to two of its most recognizable entertainment brands.
Paramount and Warner Bros. Discovery are moving toward completing their roughly $110 billion combination, and the resulting corporate entity will be called Skydance. Paramount Skydance CEO David Ellison announced the name Friday, October 2, just days before the companies are expected to officially close the transaction on October 6.
And yes — Skydance.
Not Paramount.
Not Warner Bros.
Not Paramount Warner Bros.
Skydance.
That decision says quite a bit about where the power is going in this new Hollywood.
The important distinction is that the famous studio names aren't being erased.
According to Ellison, Paramount and Warner Bros. will continue to operate as recognizable brands underneath the new corporate umbrella. The stated reasoning is that both studios have identities and histories that shouldn't be diluted by the corporate combination.
So audiences will still see:
The corporate name sitting above all of that, however, will be Skydance Corporation.
The legal name change is scheduled for October 6, when Paramount Skydance's Class B shares are also expected to move from Nasdaq to the New York Stock Exchange under the ticker SKYD.
That's a remarkable transformation when you consider the history attached to the names being combined.
There's an almost surreal element to this.
Paramount has been around since the dawn of Hollywood. Warner Bros. has been making movies for more than a century.
Skydance is comparatively young.
David Ellison founded Skydance Media in 2010, and the company became a major Hollywood production force through partnerships with Paramount on projects including Mission: Impossible, Top Gun: Maverick and other major franchises.
Then Skydance merged with Paramount Global in 2025.
Now Ellison's company name is about to sit over both Paramount and Warner Bros.
That's quite a corporate journey for a production company that didn't exist anywhere near the beginning of Hollywood's studio era.
The bigger story is what the combined company represents.
The deal brings together enormous collections of film, television, streaming, sports and news assets.
Warner Bros. Discovery brings Warner Bros., HBO, HBO Max, CNN, DC, Discovery, TNT Sports, TBS, Cartoon Network, Adult Swim, Food Network and numerous other properties.
Paramount brings Paramount Pictures, CBS, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV and its other entertainment operations.
Put those libraries and businesses together and you're talking about one of the largest entertainment companies in the world.
And that is exactly why the transaction attracted so much scrutiny.
The deal didn't simply sail through.
The U.S. Justice Department concluded in June that its investigation did not find that the transaction was likely to harm competition in streaming, linear television or theatrical film development, production and distribution.
But a group of 12 states subsequently challenged the transaction.
That lawsuit was resolved through a settlement, and a federal judge approved the agreement on September 30, clearing the way for the companies to proceed toward closing.
The settlement includes commitments involving theatrical film production, worker support and editorial independence at CBS and CNN. Paramount also agreed to release at least 30 theatrical films annually during the first two years under the settlement terms.
The Writers Guild of America also settled its separate litigation related to the transaction.
So the road to Skydance has involved considerably more than simply signing paperwork.
One of the biggest challenges facing Ellison and the new management team won't be coming up with a logo.
It will be figuring out what happens when you combine two enormous companies that already have overlapping operations.
Reuters reports that the combined company is targeting approximately $6 billion in cost savings while dealing with roughly $80 billion in combined debt.
That inevitably puts jobs, duplicated corporate functions and overlapping businesses under the microscope.
And that's where this gets particularly interesting for Hollywood.
The new company isn't simply inheriting two giant entertainment libraries.
It's inheriting two giant entertainment infrastructures.
Studios.
Streaming services.
Television networks.
Sports operations.
News organizations.
Technology.
Advertising.
Corporate staffs.
International operations.
There will be enormous pressure to determine what stays, what gets combined and what gets cut.
There's also a very obvious symbolism to the decision.
The combined corporation could have been called Paramount Warner Bros. Entertainment, Warner Paramount, or something entirely new.
Instead, Ellison chose the name of the company he founded.
Some analysts have interpreted that as a demonstration of Ellison's control over the newly created entertainment empire.
But Ellison's stated explanation is different: he says the Skydance name provides a corporate identity while allowing Paramount and Warner Bros. to retain their individual identities.
Either way, the symbolism is hard to miss.
Paramount and Warner Bros. are the brands people know. Skydance is the company now sitting above them.
There's something almost fitting about this happening in 2026.
For decades, Hollywood was dominated by a relatively small collection of legendary studios. Paramount, Warner Bros., MGM, Universal, Columbia and Disney became household names.
But the modern entertainment business has changed dramatically.
Streaming shattered the old distribution model.
Cable television has been under enormous pressure.
Movie theaters have become more dependent on major franchise releases.
Technology companies have entered entertainment at enormous scale.
And traditional media companies have been forced to rethink what their businesses actually are.
The Paramount-Warner transaction is another enormous step in that transformation.
And now, when the deal closes, two of Hollywood's oldest and most recognizable studios will effectively operate under the corporate umbrella of a company created only in the 21st century.
Skydance.
The name may be new at the top.
But underneath it sits more than a century of Hollywood history.
And what happens next could determine what that history looks like for the next generation.