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Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.
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02:15 - The Titans...
Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.
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Featured On This Episode:
Special Guest Don Jamieson: The comedy vet discusses being the final national headliner at the Funny Stop.
The Death of Local Comedy: Don Jamieson breaks down the reality of closing iconic rooms.
The "Gateway Band" Theory: Don and the guys debate how to indoctrinate friends into ...
Vinnie Appice reveals the "drum machine" drama behind Black Sabbath's final studio album with Dio. Lawsuits, legends, and loud drums. Watch now! #Metal #Sabbath
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Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
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What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
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BUY CHRIS AKIN'S BEST BOOKS HERE:
Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By Chris ...
We’ve seen some car-crash interviews in our time, but this "Madpod" review of Tommy Chong is a masterclass in professional incompetence. Look, we all love Up In Smoke, but at what point do we stop giving Chong a pass just because he’s a legendary stoner? In this segment, we tear down a "professional" interview that sounds like it was conducted by a defective AI from 2004.
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The interviewer, "Shadow Steele," is a total fraud. He spends ten minutes reciting Wikipedia stats about chart positions from 1973—shit Tommy Chong clearly doesn't remember or care about—and then asks questions that have absolutely zero relevance to the artist's life or career. It’s robotic, it’s lazy, and it’s an insult to anyone who actually does the work of music journalism.
Chong isn't innocent here, either. He’s leaned so hard into the "lazy pothead" persona that he can’t even give a straight answer about his own arrest. He’s collecting checks, collection royalties, and laughing at the idiots who think he’s being "profound" when he’s really just bored. We break down the cringe, the "Evil Batman" voice, and the moment Chris and Neeley realize this whole thing is a total bloodbath. This is why mainstream music media is finished. They worship icons who are coasting on fumes and employ hacks who can't even get the terminology of a record right.
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There is nothing more painful in the world of rock journalism than watching a prepared "professional" interview a legend using nothing but a list of facts they scraped off the internet five minutes prior. In this archival deep dive, we revisit the infamous Madpod interview with guitar legend Pat Travers.
It is a masterclass in how not to talk to an artist. While Travers is a gentleman, trying to navigate through a barrage of "Did you record this in 1977?" and "Was Nicko McBrain in your band?", the CMS crew provides the necessary, brutal play-by-play. We break down the absolute cringe of the "Ba-loose" pronunciation, the complete lack of feel for the artist's history, and the hilarious arrogance of a host who clearly doesn't know the difference between a real conversation and a data dump. This isn't just about Pat Travers; it’s about the death of authentic music journalism at the hands of hacks who think a browser tab equals research. We take the gloves off to protect the legacy of real rock and roll from the people who treat it like a homework assignment.
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Is there anything more painful than a local "legend" trying to rewrite history with the confidence of a man who just found Wikipedia for the first time? In this segment, we dig into the bizarre world of Shadoe Steele and his absolute obsession with a band called Cinch.
Steele—billed as a "musicologist"—claims that Cinch was a Billboard powerhouse that only missed the #1 spot because of a "lack of technology" and "unhip" program directors in major markets. It’s the ultimate industry cope. He’s out here counting beats per minute and claiming "quasi-professional" recordings from Northumberland, PA, were actually global smash hits being suppressed by a massive conspiracy.
The reality? The track "Where Are You Now" sounds like a bargain-bin REO Speedwagon demo that REO would have laughed out of the room. We tear down the "Wilkes-Barre Billboard" fantasy and expose the hilariously desperate attempts to manufacture prestige out of thin air. It’s a masterclass in local radio delusion and the kind of industry "substance" that makes us want to drink heavily.
The version you’re seeing here is the "sanitized" edit. To hear the full, unfiltered, and legally dangerous deep dive—including the stuff that gets us banned elsewhere—join the Inner Circle at https://classicmetalshow.locals.com. Become a VIP and get the substance the mainstream won't touch.