NUCLEAR MESSIAH (CHRIS POLAND) New Single “Look At Yourself” Featuring Sebastian Bach Out Today; ‘Black Flame’ Set For Release April 24
April 20, 2026 -- NUCLEAR MESSIAH—spearheaded by former Megadeth guitarist Chris Poland--released their new single, a cover of the Uriah Heep classic “Look At Yourself,” today (April 20), featuring Sebastian Bach, Mick Box (Uriah Heep), Bob Daisley (Uriah Heep, Ozzy Osbourne), Derek Sherinian (Dream Theater, Sons of Apollo, Black Country Communion), and Carmine Appice (Cactus, Vanilla Fudge).
This track is a storming cover of the Uriah Heep song that features not only Sebastian Bach on vocals, but original Heep guitarist Mick Box! This stellar group of musicians have combined to rip the song from the ‘70s and give it new life with an updated groove and feel, all the time paying homage to the original.
COOL PRICE ON THE VINYL VERSION OF BLACK FLAME FROM NUCLEAR MESSIAH: https://amzn.to/48MNU6z
Chris Poland states:
“The BLACK FLAME record is full of really great songs, but one that really stands out is ‘Look at Yourself.’ It’s the most progressive song on the record and Sebastian Bach’s vocal performance is truly inspired. He nails this tune to the wall in true Bach fashion.”
Sebastian Bach says:
“Uriah Heep is a band that my dad listened to a lot...that was my introduction to Uriah Heep. Of course the song ‘Easy Livin’’ was a big hit song, but ‘Look At Yourself’ was a deep cut and it also reminds me of Deep Purple a little bit, the sound of it. I love ‘70s rock n’ roll and the fact that Mick Box from Uriah Heep is on this track is incredible. Bob Daisley from Ozzy’s band - I never thought I would record with him so it’s unbelievable. I’m adding the tone of my voice to the song ‘Look At Yourself’ and I’ve added some high harmonies that are not on the original. I’m trying to make it different, but the same. So I hope Mick Box can hear that it’s honoring the original version, but then I throw in a couple of harmonies and screams and what have you!”
In an unprecedented gathering of rock and metal royalty, Cleopatra Records proudly announces the April 24 release of BLACK FLAME, Nuclear Messiah’s thunderous, all-star concept album.
Built around the visionary guitar mastery of Chris Poland, the legendary former Megadeth guitarist whose emotive phrasing and fusion-driven technique helped redefine modern metal, BLACK FLAME is a sonic prophecy uniting 36 of the most iconic musicians in rock and metal history across five decades.
Produced by Brian Perera, Derek Hughes, and Jürgen Engler for Cleopatra Records with a commanding spoken introduction to the album by William Shatner, BLACK FLAME is an apocalyptic, cinematic, sonic album uniting a staggering line-up of 36 of the most iconic musicians in rock and metal history. Representing every era of heavy music, and uniting icons from thrash, classic rock, hard rock, and progressive metal, the appearances include:
Chris Poland, Marty Friedman, David Ellefson, Glen Drover, Shawn Drover, Chris Adler (Lamb of God, Megadeth), Ron “Bumblefoot” Thal (Guns N’ Roses, Sons of Apollo), Mick Box (Uriah Heep), Joel Hoekstra(Whitesnake, Trans-Siberian Orchestra, Night Ranger), Carmine Appice (Vanilla Fudge, Jeff Beck, Bogert & Appice, King Kobra), Vinny Appice (Dio, Black Sabbath, Heaven & Hell), Simon Wright (AC/DC, Dio), Don Airey (Deep Purple, Rainbow, Ozzy Osbourne), Rick Wakeman (Yes), Jonathan Cain (Journey, The Babys), Derek Sherinian (Dream Theater, Sons of Apollo, Black Country Communion), Bob Daisley (Ozzy Osbourne, Rainbow, Gary Moore, Uriah Heep), Phil Soussan (Ozzy Osbourne, Billy Idol, Last in Line), Alan Davey (Hawkwind), Vinnie Moore (UFO, Alice Cooper), Joe Bouchard (Blue Öyster Cult), Tim “Ripper” Owens (Judas Priest, Iced Earth, Yngwie Malmsteen), Joe Lynn Turner (Rainbow, Deep Purple, Yngwie Malmsteen), Sebastian Bach (Skid Row), Andrew Freeman (Last in Line, Lynch Mob), Marc Lopes (Ross the Boss, Metal Church, Let Us Prey), Pat Travers (Pat Travers Band), Ronnie Romero (Rainbow, Michael Schenker Group, Lords of Black), Arthur Brown (The Crazy World of Arthur Brown, Kingdom Come), Lance Lopez (Supersonic Blues Machine, Billy Gibbons), Greg T. Walker (Blackfoot, Lynyrd Skynyrd family), Steve DiGiorgio (Testament, Death, Sadus), Thor (Thor), Fred Aching (Dead Groove, Kings of Thrash, BulletBoys, Powerflo, BillyBio), and Jürgen Engler (Die Krupps).
This staggering lineup represents every era of heavy music, from Vanilla Fudge to the Kings of Thrash, via Guns N’ Roses, Uriah Heep, Whitesnake, Black Sabbath, UFO, Rainbow, Ozzy Osbourne, Alice Cooper, Judas Priest, Deep Purple, Yngwie Malmsteen, Thor, Testament, Night Ranger, the Michael Schenker Group, Yes and more.
Eye-opening covers, too, will be ripping open your ears - Lucifer’s Friend, May Blitz, NWOBHM heroes Holocaust and the immortal Uriah Heep, and, while the remainder of the album is all new material, each song composed by the line-up that performs on it, reflecting, too, upon the history of hard rock, prog and metal - a living timeline of rock and metal, from the pioneers of the past to the trailblazers of today.
It’s more than a collaboration. It’s a metal summit, the multi-generational union of the artists who shaped the evolution of heavy music itself.
Why is Don Jamieson the Last National Act to Play This Iconic Club?
Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.
Don't Wait For Our GREAT Chat with Heaven & Hell's Vinny Appice!
Vinnie Appice reveals the "drum machine" drama behind Black Sabbath's final studio album with Dio. Lawsuits, legends, and loud drums. Watch now! #Metal #Sabbath
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
Whitesnake & Night Ranger Guitar Legend Joel Hoekstra Joins Stephen Pearcy's Solo Band For Massive 2026 Tour
Rock music fans have reason to celebrate as guitar virtuoso Joel Hoekstra is set to bring his blistering talent to Stephen Pearcy's solo band for an electrifying 2026 tour. The announcement has sent waves of excitement through the hard rock community, promising high-octane performances that blend the raw energy of Ratt with the technical prowess Hoekstra has honed across decades in the industry.
Hoekstra, renowned for his work with Whitesnake and Night Ranger, brings an impressive resume that includes powerhouse riffs and soaring solos capable of filling arenas. His addition to Pearcy's lineup marks a significant moment for fans who have long admired the intersection of these classic rock worlds. Pearcy, the iconic frontman of Ratt, has been captivating audiences with his solo projects, delivering hits like "Round and Round" alongside fresh material that keeps the spirit of '80s metal alive.
The collaboration is expected to deliver a setlist packed with fan favorites from both artists' catalogs, along with potential surprises that could redefine live rock experiences in the coming year. Hoekstra's dynamic style—characterized by precision, speed, and melodic flair—perfectly complements Pearcy's charismatic stage presence and gritty vocal delivery. Together, they are poised to create nights of unforgettable music that celebrate the golden era of hard rock while pushing boundaries into 2026.
Industry insiders suggest this pairing could spark renewed interest in classic metal tours, drawing crowds from longtime devotees and newer generations discovering these legends for the first time. Hoekstra's tenure with Whitesnake saw him contribute to major releases and world tours, solidifying his status as one of rock's most versatile guitarists. Similarly, his time in Night Ranger highlighted his ability to craft anthemic tracks that resonate in stadiums.
Stephen Pearcy's solo endeavors have already proven successful, with energetic shows that honor Ratt's legacy while allowing room for personal expression. Adding Hoekstra to the mix elevates the project, creating a supergroup-like atmosphere without the formal title. Fans can anticipate explosive guitar work intertwined with Pearcy's signature swagger, making each performance a must-see event.
As tour dates begin to surface, anticipation continues to build. This partnership not only reunites elements of rock history but also introduces fresh chemistry that could lead to new studio collaborations down the line. For those who grew up on the sounds of Whitesnake's "Here I Go Again" or Ratt's chart-topping anthems, the 2026 tour offers a rare chance to experience these influences live in one powerhouse package.
The hard rock scene has seen its share of revivals, but few feel as authentic and exciting as this one. Joel Hoekstra's involvement signals a commitment to delivering top-tier musicianship, ensuring that Stephen Pearcy's solo band will dominate stages across the country and beyond. Keep an eye on official announcements for exact dates and venues—tickets are sure to vanish quickly once they drop.
With the rock world buzzing, this news reaffirms why classic metal remains timeless. The fusion of Hoekstra's technical mastery and Pearcy's rock 'n' roll attitude is set to ignite 2026 like few other tours can. Whether you're a die-hard fan or a casual listener, this is one road show you won't want to miss.
Chris Akin and Neeley are back with zero-filter chaos on The Classic Metal Show — roasting request warriors, destroying Pretty Boy Floyd’s entire Kiss covers album, dragging Bullet Boys’ alien probe lyrics, and calling out Poison’s fake 2027 “reunion” cash grab. Electric bills that’ll make your dick hurt, Walmart aisle rage, AI accusations, and brutal honesty about aging, sleep schedules, and why some bands just need to stay retired. Plus, Iron Maiden doc reactions, Mick Fleetwood’s 5th marriage, and raw rock talk that fans crave.
Raw, unhinged, and relentlessly real — this is classic CMS warming up exactly how you love it. No fluff, maximum personality, and plenty of metal teases on deck (Crimson Glory, Steven Piercy, Annihilator, and more).
Watch the full episode now and join us on Locals for early access, extra rants, and request priority.
Vicious Rumors Drummer Larry Howe Blasts Cancel Culture as He Exits Band: "Music Industry Saturated With Leftist Ideologues"
In a fiery departure that has sent shockwaves through the heavy metal community, Vicious Rumors drummer Larry Howe has publicly blamed cancel culture and what he calls a pervasive leftist agenda for his exit from the long-running power metal outfit.
Howe, a veteran of the band known for their high-energy riffs and classic metal sound, didn't hold back in his candid remarks, accusing the modern music industry of being overrun by "leftist ideologues" who prioritize globalism over artistic freedom and traditional values. According to Howe, the pressure to conform to progressive ideologies has created a toxic environment where musicians are forced to self-censor or face professional repercussions.
The drummer's comments come amid growing tensions within the metal scene, where debates over politics, free speech, and cultural shifts have increasingly divided fans and artists alike. Vicious Rumors, formed in the mid-1980s and celebrated for albums that captured the raw spirit of American power metal, has built a dedicated following over decades. Howe's exit marks a significant change for the group, which has weathered lineup shifts in the past but now finds itself at the center of a broader cultural conversation.
Speaking out on the situation, Howe described an industry atmosphere where dissenting views—particularly those challenging mainstream progressive narratives—are quickly labeled as problematic. He pointed to what he sees as a saturation of left-leaning influences that "capitulate to globalism," suggesting this mindset stifles creativity and forces artists into a narrow ideological box. "The music industry is saturated with leftist ideologues who capitulate to globalism," Howe stated, framing his departure as a stand against what he perceives as enforced conformity rather than a simple creative difference.
Fans of Vicious Rumors have reacted with a mix of surprise and support, with many taking to social media to voice their opinions on the role of politics in metal. Some praise Howe for speaking his mind in an era where such candor can be career-ending, while others question whether personal political beliefs should overshadow the music itself. The band's signature blend of soaring vocals, thunderous drums, and intricate guitar work has long appealed to listeners seeking an escape from everyday politics, making Howe's revelations all the more poignant.
This isn't the first time a metal musician has voiced frustration with cultural shifts in the industry. From disputes over lyrical content to boycotts and public call-outs, the genre—once a bastion of rebellion and individualism—now grapples with questions of inclusivity versus authenticity. Howe's bold exit highlights a growing undercurrent of discontent among artists who feel the "cancel culture" machine has infiltrated even the most uncompromising corners of rock and metal.
As Vicious Rumors moves forward without Howe, questions linger about the band's future direction and whether this split will inspire similar outspoken moments from other veterans in the scene. For Howe, the decision appears to be one of principle, prioritizing his personal convictions over continued involvement in what he views as a compromised industry landscape.
Metal enthusiasts worldwide are watching closely, debating whether this signals a larger pushback against perceived ideological dominance in entertainment. In an industry built on defiance, Howe's story underscores the ongoing battle between artistic liberty and the pressures of modern societal expectations. Whether this leads to a renaissance of unfiltered metal expression or further fragmentation remains to be seen, but one thing is clear: the conversation around cancel culture in music is far from over.
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