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Why Nazareth’s Pete Agnew Thinks the Internet is KILLING Rock and Roll

You’re listening to last week’s news—our VIPs already finished this episode commercial-free seven days ago. Stop waiting in line and get instant access to every show, advance interviews, and exclusive bonus content for just $4.99 at https://classicmetalshow.locals.com.

Nazareth founding member Pete Agnew doesn't pull punches when discussing the state of the music industry and the upcoming "Titans of Classic Rock" tour with Foghat. While the world remembers them for the legendary ballad "Love Hurts," Agnew reveals the raw, hard-rocking reality of a band that has survived five decades of industry shifts. From the "gift from the gods" in new vocalist Gianni Pontillo to the polarizing effect of the internet on global setlists, this is an uncensored look at rock royalty still claiming their throne. Discover why the "original rockers" are the only ones left who truly understand the spirit of the 70s.

FIRST LINK: 👉 JOIN THE VIP INNER CIRCLE: https://classicmetalshow.locals.com

ON THIS EPISODE:

02:15 - The Titans...

00:26:16
Why is Don Jamieson the Last National Act to Play This Iconic Club?

Seth Williams and Chris Akin aren't here to play by the rules or read from a corporate script. In this raw, unedited session, the guys are joined by special guest and comedian Don Jamieson to pull back the curtain on the "death" of the legendary Funny Stop. Between Seth’s "swollen ball syndrome" updates and the arrival of restaurant reporter Tony Musachio from the new and improved SHOOTERS, this is the high-octane chaos the mainstream media is too terrified to broadcast. If you want the truth from a comedy veteran who has seen it all, you’re in the right place.

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Featured On This Episode:

Special Guest Don Jamieson: The comedy vet discusses being the final national headliner at the Funny Stop.

The Death of Local Comedy: Don Jamieson breaks down the reality of closing iconic rooms.

The "Gateway Band" Theory: Don and the guys debate how to indoctrinate friends into ...

01:04:08
Don't Wait For Our GREAT Chat with Heaven & Hell's Vinny Appice!

Vinnie Appice reveals the "drum machine" drama behind Black Sabbath's final studio album with Dio. Lawsuits, legends, and loud drums. Watch now! #Metal #Sabbath

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FULL EPISODE: https://classicmetalshow.locals.com/post/7797752/black-sabbath-vs-heaven-hell-the-truth-about-why-they-switched-names-vip

00:00:26
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)

Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

Sponsor: SPONSOR: The CMS Hail and Snore Pillow - https://classicmetalshow.creator-spring.com/listing/hail-and-snore-pillow

Get all your favorite CMS Merchandise from our online store: https://classicmetalshow.creator-spring.com/

BUY CHRIS AKIN'S BEST BOOKS HERE:

Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By ...

DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)

Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!

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BUY CHRIS AKIN'S BEST BOOKS HERE:

Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4
Little Victories by Chris Akin - https://amzn.to/43A143y
...AND OTHER THINGS I SHOULD NOT SAY... By Chris Akin - https://amzn.to/3SRP3Bq

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Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)

What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!

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Get all your favorite CMS Merchandise from our online store: https://classicmetalshow.creator-spring.com/

BUY CHRIS AKIN'S BEST BOOKS HERE:

Call Me Chris by Chris Akin - https://amzn.to/44TDIZ4 Little Victories by Chris Akin - https://amzn.to/43A143y ...AND OTHER THINGS I SHOULD NOT SAY... By Chris ...

LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
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COC's Woody Weatherman Reveals the Secret Truth Behind Reed Mullin’s Final Days

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Think you know the real story behind the new Corrosion of Conformity record? Think again. Chris Akin digs into the raw, unfiltered reality of Good God, Baad Man with the legendary Woody Weatherman. From the tragic loss of Reed Mullin to the "amicable" exit of Mike Dean, this isn't your standard PR-polished interview—it’s a deep dive into the guts of a band that refuses to play by the mainstream rules.

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ON THIS EPISODE:

– The Best COC Album in 30 Years?
– Writing in the "Black Shack" with Pepper Keenan
– The Truth About Reed Mullin’s Passing
– Why Mike Dean Really Left the Band
– Modern Drumming is "Too Perfect" and Dead

WATCH "GIMME SOME MORE" HERE:

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Saturday Night Live: THE CLASSIC METAL SHOW is Live Saturdays 9pm-3am EST on Rumble/Locals.

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STEPHEN PEARCY & BILLY CORGAN: THE ULTIMATE INTERVIEW TRAINWRECK

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We’ve been off the YouTube teat for five years for a reason, but the fans keep begging for the full episodes. Well, you got it—sort of. We’re putting a “cleaned up” version on YouTube for a premium price just to pay for the AI it takes to bleep out the truth. But let’s be real: if you’re watching the edited version, you’re getting a lobotomized show.

STEPHEN PEARCY’S A VIEW TO A THRILL ON VINYL? YES PLEASE! https://amzn.to/4e6hYO4

Between Stephen Pearcy doing interviews with Billy Corgan (who can’t stop interrupting for five seconds) and the guys from Green Jellÿ fighting over a Christmas album nobody asked for, the industry is eating its own tail. We’re calling out the hacks, the ego-trips, and the absolute “bloodbath” of 80s legacy acts fighting over scraps.

The VIP Bridge: The version you’re seeing here is the “sanitized” edit. To hear the full, unfiltered, and legally dangerous deep dive—including the stuff that gets us banned elsewhere—join the Inner Circle at https://classicmetalshow.locals.com. Become a VIP and get the substance the mainstream won’t touch.

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“This Changes Everything”: DRAGONFORCE’s New Frontwoman Sparks Instant Fan Division

This isn’t a safe move—it’s a calculated risk. DragonForce just brought in Alissa White-Gluz as their new vocalist and frontwoman, and whether you love it or hate it, this changes the band’s identity overnight.

Need something loud enough to process this shift? Dragonforce - WE SPEED WARRIORS: https://amzn.to/3PlyDmK

Here’s the reality: DragonForce has never been subtle, but this move isn’t just about vocals—it’s about direction, branding, and survival in a scene that punishes stagnation.


THIS ISN’T JUST A LINEUP CHANGE — IT’S A STATEMENT

Alissa White-Gluz isn’t just another singer. She’s a dominant force known for her work with Arch Enemy—a completely different sonic universe than DragonForce’s hyper-melodic, speed-obsessed power metal.

So what does this mean?

It means DragonForce isn’t playing it safe anymore. They’re injecting aggression, range, and a modern edge into a formula that—let’s be honest—was starting to feel predictable.

But that’s exactly why fans are split.


THE FAN REACTION: EXCITEMENT VS. SKEPTICISM

You’ve already seen it. The reactions are loud—and they’re not unified.

Camp 1:
“This is exactly what DragonForce needed.”
Fresh energy. Broader vocal range. A legitimate evolution.

Camp 2:
“This isn’t DragonForce anymore.”
Too heavy. Too different. Feels like a genre collision instead of a progression.

And both sides have a point.


HERE’S WHAT MOST PEOPLE ARE MISSING

This isn’t about replacing a voice—it’s about redefining what DragonForce is allowed to be.

Alissa brings:

  • Extreme vocal versatility (clean + harsh)
  • A massive modern metal audience
  • A completely different stage presence

That’s not a plug-and-play upgrade—that’s a transformation.

And transformations come with backlash.


THE REAL QUESTION: CAN THIS ACTUALLY WORK?

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Let’s cut through the noise.

DragonForce built their empire on speed, melody, and escapism. Alissa built hers on power, intensity, and controlled chaos.

Blending those worlds is either:

  1. A genre-defining evolution
  2. Or a stylistic trainwreck

There is no middle ground here.


MID-ARTICLE REALITY CHECK

If you’re still reading, you already know this isn’t a casual lineup tweak—it’s one of the most interesting gambles in modern metal right now.

So ask yourself:
Are you reacting to what DragonForce was… or what they’re trying to become?


WHAT HAPPENS NEXT WILL DEFINE EVERYTHING

The first release with Alissa will decide the narrative instantly.

If it hits?
DragonForce just extended their relevance by another decade.

If it misses?
This becomes a cautionary tale about overcorrecting your identity.

There’s no easing into this. No soft launch.

This is a high-stakes swing—and everyone’s watching.


FINAL TAKE

This move is bold, disruptive, and absolutely necessary.

Because standing still in metal today? That’s how bands fade out.

DragonForce didn’t just avoid that—they challenged it head-on.

Now they have to prove it was worth it.


POLL — PICK A SIDE (NO FENCE-SITTING):

Is Alissa White-Gluz the right move for DragonForce?

  • 🔥 Yes — This is the evolution they desperately needed
  • ⚡ Maybe — But it could easily backfire
  • ❌ No — This completely kills their identity

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