L.A. GUNS Bring The “Electric Gypsy” Back From The Guild Theatre With New ‘Live From The Guild Theatre’ Album Out July 3
June 3, 2026 -- July 3 sees the release of one of the most anticipated live albums of the metal year, a full all-format release for Live From The Guild Theatre, recorded almost exactly one year earlier at the onstage launch of L.A. Guns’ most acclaimed album in years, the mighty Leopard Skin.
Rockpit.net described Leopard Skin as “a hook-filled, melody-drenched delight—perfectly mixed and balanced from start to finish. If you’re a diehard rocker who still worships the ’80s glory days, this one’s for you. But don’t get it twisted: this isn’t some nostalgic retread. L.A. Guns aren’t stuck in the past—they’ve evolved naturally, delivering a record that feels fresh while staying true to their roots.”
MetalPlanetMusic.com said the Guns are “still churning out bangers,” and Maximumvolumemusic.com applauded them for still having “a way of sounding filthy.” In fact, that review continued, “The best thing about L.A. Guns is how unapologetic they are, and ‘Hit and Run’ nails it. ‘We’re just having fun,’ sneers [vocalist Phil Lewis], as only he can.”
It nails it here, too, sliding in between “Hellraisers Ball” and “Like A Drug,” but Live From The Guild Theatre is explosive from start to finish, the Gunners firing off killer versions of fan favorites tracing as far back as the band’s debut album - “Sex Action,” for example, probably hasn’t featured in the repertoire since the eighties, but it’s alive and kickin’ here.
Sophomore set Cocked and Loaded, meanwhile, spits out some of the most powerful shotgun blasts in the band’s entire arsenal - “I Wanna Be Your Man,” “The Ballad of Jayne,” “Rip and Tear,” and the set-ender, “Never Enough.” And Leopard Skin gets both a triumphant airing and a delirious response.
In fact, longtime vocalist Phil Lewis and the man who put the Guns in L.A. Guns, Tracii Guns, have never sounded better - quite an achievement for a band that’s been tearing up the stages of the world since 1983! Ace Von Johnson (guitar), Johnny Martin (bass) and Shawn Duncan (drums) complete the line-up.
The first single from the album, “Electric Gypsy” which is now available to stream and download HERE, is another from the self-titled debut, and it sounds as fresh now as it did way back then…drop it into your streaming playlist and it won’t simply wake up the neighbors, it’ll have them hammering on your door, demanding to know what you’re listening to.
Yes, you’ll tell them it’s L.A. Guns - who else could it be? But you can also tell them that it’s not only coming out on CD and vinyl, but there’s a DVD and a cassette.
Here’s the track listing for LIVE FROM THE GUILD THEATRE:
1. Intro - Taste It 2. Cannonball 3. Electric Gypsy 4. Sex Action 5. Hellraisers Ball 6. Hit and Run 7. Like a Drug 8. Speed 9. One More Reason 10. Theremin Jam 11. Over the Edge 12. Guitar Solo 13. I Wanna Be Your Man 14. Lucky Motherfucker 15. Never Enough 16. The Ballad of Jayne 17. Rip and Tear
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SickSense isn’t exactly interested in staying in its lane—and the new Funerals EP makes that painfully obvious.
Vicky Psarakis opens up about the band’s darker musical direction, the surprisingly personal story behind A Moment of Violence, and why chasing whatever happens to be commercially popular can be a fast track to sounding like everybody else.
Then the conversation gets downright nasty when AI music enters the picture. Suno, Spotify, musicians skipping the hard work, endless AI-generated albums and the question nobody seems to want to answer: what happens to music when the humans stop being necessary?
Add a new North American tour and a completely DIY approach to keeping the band alive, and this interview goes a hell of a lot deeper than simply talking about a new EP.
Does Asia Still Sound Like Asia? Harry Whitley Talks Indigo!
Walking into Asia as the new vocalist means stepping directly into the crosshairs of fans who know every note, every lyric and every inflection.
Harry Whitley doesn't shy away from that pressure. He talks about the John Wetton comparison, the challenge of performing the classic songs, and what changed when he finally got the chance to help create brand-new Asia music with Geoff Downes.
Then there's Indigo — the album that puts his own stamp on the band and forces the obvious question: can a new era of Asia actually satisfy fans who grew up with the classics?
Harry also gets into working with some seriously intimidating musicians, the band's chemistry behind the scenes, touring plans, fan reaction and why buying the music still matters in the streaming era.
There's a lot more going on here than just another new album interview.
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When classic rock frontmen drop their guard, the real stories finally come spilling out. From the truth behind high-stakes reunion tours and backstage meltdowns to what really goes on when multi-million dollar bands hit the road, nothing is off-limits. Get ready for an unfiltered look at arena rock ego, ridiculous rider demands, and the shocking reality of why your favorite line-ups just can't stay together. You think you know the whole story behind the rock headlines? Think again.
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
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LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
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JASON McMASTER JOINS THE CLASSIC METAL SHOW LIVE TONIGHT!
DANGEROUS TOYS vocalist Jason McMaster joins Chris Akin and Neeley tonight to discuss the new Dangerous Toys: The Definitive Edition from Kenyon Records!
We'll dig into the band's legendary debut, the unreleased 1989 live recordings, and why Dangerous Toys still has such a loyal following.
Plus, Ozzfest, Metallica and plenty of hard rock and heavy metal arguments!
1. Leatherwolf - The Calling
2. Salty Dog - Cat's Got Nine
3. Dangerous Toys - Bones In The Gutter
4. L.A. Guns - One More Reason
5. Heaven's Edge - Come Play The Game
6. Tyketto - Strip Me Down
7. Scorpions - Love Drive
8. Scorpions - Speedy's Coming
9. Def Leppard - Lady Strange
10. Junkyard - All The Time In The World
11. Dangerous Toys - Outlaw
12. Plush - Another Reason
13. Night Demon - The Howling Man
14. Alice Cooper - Fireball
15. Alice Cooper - The World Needs Guts
16. Led Zeppelin - Achilles Last Stand
17. Riot - No Lies
18. Iron Maiden - Paschendale
19. Megadeth - Hook in Mouth
20. Malevolent Creation - No Flesh Shall Be Spared
21. Gwar - Ham On The Bone
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DANGEROUS TOYS vocalist Jason McMaster joins Chris Akin and Neeley tonight to discuss the new Dangerous Toys: The Definitive Edition from Kenyon Records!
DANGEROUS TOYS vocalist Jason McMaster joins Chris Akin and Neeley tonight to discuss the new Dangerous Toys: The Definitive Edition from Kenyon Records!
We'll dig into the band's legendary debut, the unreleased 1989 live recordings, and why Dangerous Toys still has such a loyal following.
Plus, Ozzfest, Metallica and plenty of hard rock and heavy metal arguments!
On this episode of CHRIS AKIN PRESENTS, Chris sits down with SCARDUST vocalist Noa Gruman to discuss the band's genre-defying sound, their album Souls, and their ambitious new cover of Clean Bandit's "Symphony," featuring violinist Mia Asano.
Noa explains how SCARDUST builds songs around stories instead of musical formulas, why she embraces pop influences without abandoning her metal roots, and how her metal choir HELLSCORE went from a handful of vocal students to collaborating with bands including Amorphis, Epica, and Sabaton.
She also discusses the band's next album, touring plans for 2027, and what working with Sabaton has taught her about succeeding in the music business.
And when Chris brings up the financial reality of keeping an independent metal band alive, Noa offers a revealing answer about what actually qualifies as a successful year.
Can a band push metal in every possible direction and still maintain its identity?
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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.
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