L.A. GUNS Bring The “Electric Gypsy” Back From The Guild Theatre With New ‘Live From The Guild Theatre’ Album Out July 3
June 3, 2026 -- July 3 sees the release of one of the most anticipated live albums of the metal year, a full all-format release for Live From The Guild Theatre, recorded almost exactly one year earlier at the onstage launch of L.A. Guns’ most acclaimed album in years, the mighty Leopard Skin.
Rockpit.net described Leopard Skin as “a hook-filled, melody-drenched delight—perfectly mixed and balanced from start to finish. If you’re a diehard rocker who still worships the ’80s glory days, this one’s for you. But don’t get it twisted: this isn’t some nostalgic retread. L.A. Guns aren’t stuck in the past—they’ve evolved naturally, delivering a record that feels fresh while staying true to their roots.”
MetalPlanetMusic.com said the Guns are “still churning out bangers,” and Maximumvolumemusic.com applauded them for still having “a way of sounding filthy.” In fact, that review continued, “The best thing about L.A. Guns is how unapologetic they are, and ‘Hit and Run’ nails it. ‘We’re just having fun,’ sneers [vocalist Phil Lewis], as only he can.”
It nails it here, too, sliding in between “Hellraisers Ball” and “Like A Drug,” but Live From The Guild Theatre is explosive from start to finish, the Gunners firing off killer versions of fan favorites tracing as far back as the band’s debut album - “Sex Action,” for example, probably hasn’t featured in the repertoire since the eighties, but it’s alive and kickin’ here.
Sophomore set Cocked and Loaded, meanwhile, spits out some of the most powerful shotgun blasts in the band’s entire arsenal - “I Wanna Be Your Man,” “The Ballad of Jayne,” “Rip and Tear,” and the set-ender, “Never Enough.” And Leopard Skin gets both a triumphant airing and a delirious response.
In fact, longtime vocalist Phil Lewis and the man who put the Guns in L.A. Guns, Tracii Guns, have never sounded better - quite an achievement for a band that’s been tearing up the stages of the world since 1983! Ace Von Johnson (guitar), Johnny Martin (bass) and Shawn Duncan (drums) complete the line-up.
The first single from the album, “Electric Gypsy” which is now available to stream and download HERE, is another from the self-titled debut, and it sounds as fresh now as it did way back then…drop it into your streaming playlist and it won’t simply wake up the neighbors, it’ll have them hammering on your door, demanding to know what you’re listening to.
Yes, you’ll tell them it’s L.A. Guns - who else could it be? But you can also tell them that it’s not only coming out on CD and vinyl, but there’s a DVD and a cassette.
Here’s the track listing for LIVE FROM THE GUILD THEATRE:
1. Intro - Taste It 2. Cannonball 3. Electric Gypsy 4. Sex Action 5. Hellraisers Ball 6. Hit and Run 7. Like a Drug 8. Speed 9. One More Reason 10. Theremin Jam 11. Over the Edge 12. Guitar Solo 13. I Wanna Be Your Man 14. Lucky Motherfucker 15. Never Enough 16. The Ballad of Jayne 17. Rip and Tear
CMS LIVE! 7/4/26: Jon Schaffer's Predicament, Phil Lewis' Look, Vets Hate False Praise and More!
Let’s be honest about what’s actually happening here. Jon Schaffer is fresh out of a federal plea deal and immediately tracking an anti-government record. Is anyone actually buying this, or is it just the ultimate grift to recoup legal fees? Meanwhile, Nikki Sixx is taking shots at Godsmack’s legacy while his own band relies on pre-recorded tracks to survive a stadium tour. This is where the story gets messy. We look closer at Phil Lewis cutting his hair, the absolute breakdown of the casino circuit reality, and why the old guard is terrified of losing their grip. A lot of people are completely missing the real point of these stunts.
If you’re watching this here, you’re looking at the scraps. The full, uncensored episode, the exclusive third segment, and early access interviews live on Locals: https://classicmetalshow.locals.com
Sports reporters tried to lay an absolute trap for Buster Posey over his players' personal choices. They expected an immediate corporate apology—but they didn't get one. This standoff just exposed exactly how broken the relationship between sports media and real fans actually is.
If you’re watching this here, you’re already late.
The full episode, exclusive third segment, and early interviews are already on Locals: https://classicmetalshow.locals.com
Let's not pretend the media actually cared about baseball during this press conference. They came looking for a very specific, headline-ready quote to crucify an executive and alienate traditional fans. When Buster Posey shut down the narrative by sticking strictly to the game, he didn't just protect his locker room—he exposed the entire corporate playbook. We break down the exact moment the media realized they weren't getting their apology, why sports culture is being cannibalized by corporate sponsorships, and how the entire ...
DEAD ARTIST LAWSUITS & AIRPLANE SEAT SQUATTERS! (Audio)
Why is everyone still suing Michael Jackson's estate? Neeley and Chris are giving their honest take on the skepticism surrounding the latest legal battle and reviewing the trailer for the upcoming MICHAEL biopic. We're also talking about the tragedy of the woman who fell off the cruise ship and the infuriating new trend of "seat squatting" on planes. Finally, CMS Producer Weezie honors our lost friend, Bob Nalbandian. Share and follow for the metal-fueled truth! Get commercial-free episodes by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
Agnostic Front BASSIST on DMC & Their Bold New Sound! (Audio)
Seriously, how do you keep your music fresh when you're a band with a decades-long history? It's tough! Chris chats with Agnostic Front bassist Mike Gallo about their latest, ECHOES OF ETERNITY. They talk about the killer sound improvements, what it was like working with a legend like DMC for the first time, and the guts it takes to try new things as a legacy act. Don't just listen—hit that share button, follow us, and subscribe to Rumble Premium for more! Hail and Kill! Join the rebellion!
LEMMY SMASHES MIXING BOARD! KING DIAMOND'S $26K HANDOUT! (Audio)
What’s crazier: Lemmy destroying a multi-million dollar mixing board with a cheeseburger, or King Diamond getting $26,000 a year from his government just for being an artist? Neeley and Chris tackle these wild metal stories! We also review George Lynch's new single, which he released after admitting he totally lied about retiring. Hint: the guys are NOT impressed. Plus, check out the insane guitar talent from a young private school student. Like, follow, and share this video! Get commercial-free episodes and more by joining Rumble Premium at https://rumble.com/premium. Hail and Kill! Join the rebellion!
Chris, you like yacht rock. I think this can be considered yacht rock, even if it didn't come out in the '70s or '80s. Listen to the bass and harmonies on this.
Seth Show 7/22/26: Will Seth Williams Walk Again This Week?
This week marks one of the biggest milestones Seth Williams has faced in years. After everything that's happened, the moment has finally arrived—and it probably didn't go exactly how anyone expected.
This week marks one of the biggest milestones Seth Williams has faced in years. After everything that's happened, the moment has finally arrived—and it probably didn't go exactly how anyone expected.
Seth and Chris Akin talk about getting his new prosthetic legs, what comes next, the challenges ahead, and why this isn't simply a "problem solved" situation. Expect laughs, brutally honest stories, and the kind of conversation you won't hear anywhere else.
Did Def Leppard Ever Make Another Great Album After Hysteria?
Most Def Leppard fans stop listening after Hysteria.
Maybe they're right.
Maybe they've ignored some surprisingly good records.
Today I'm ranking my five favorite Def Leppard albums released after Hysteria and explaining why some deserve another chance...while others prove exactly why fans checked out.
Classic rock singers are hitting a wall, and some are handling it a hell of a lot better than others. While Mike Tramp figures out a way to rework things within his range, other artists are flat-out canceling their own massive hits because they can't handle the lyrics anymore. From bizarre self-censorship to aging rockstars pretending they still live in a small town, the entire scene is starting to look like a circus. We break down the real reason your favorite performers can't—or won't—deliver the goods like they used to.
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